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FUNKED UP

2117¬Montreal's foremost exponenents of Prince-inspired dirty funk are back with their new album. Critics so far are impressed, Rave Magazine seeing the album as an affirmation of the band's unique style.¬False¬

Middle of the Trail

2101¬Rootsy folkster Ray Lamontagne continues his career as a Radio 2 botherer with his new album. Critics see it as competent but hardly revolutionary, scores coming it at around 6 or 7.¬False¬

Towering achievement?

2098¬There's a very rare 10/10 from The Skinny for the rapper, pianist and producer's album, released to accompany a feature film also written and produced by the maverick Canadian. Such enthusiasm is not shared by the BBC or music OMH, who regard it as interesting but only partially successful.¬True¬
The Flaming Lips and Stardeath and White Dwarfs Doing The Dark Side of the Moon

The Flaming Lips and Stardeath and White Dwarfs

The Flaming Lips and Stardeath and White Dwarfs Doing The Dark Side of the Moon

Henry Rollins and Peaches also help out in this tribute version of the fabled Floyd prog album

Critics average rating

5.4

Label
Warners
Release date
22/12/2009
  1. 8.0 |  Scotland on Sunday

    Time is disorientating, and Money sounds like a completely different currency, the distinctive bass figure relocated to a mad professor's sound laboratory
    Read Review

  2. 7.0 |  Under The Radar

    This is still most certainly the Dark Side that you know, but the typical Lipsian eccentricities and idiosyncrasies are present as well
    Read Review

  3. 7.0 |  The 405

    While it will certainly never hold the impact of the original, as an escapade in psychedelic rock it really does have its own merits
    Read Review

  4. 6.0 |  BBC

    There’s nothing here that offends, nothing that isn’t played with a deep affection for the material; but, equally, there’s nothing that takes said material and elevates it to a new plateau of appreciation
    Read Review

  5. 5.2 |  Pitchfork

    The Flaming Lips and their co-conspirators can't settle on a color of the Floyd spectrum and run with it, leaving this Dark Side as a lunar capsule lost somewhere between a love letter and a joke
    Read Review

  6. 5.0 |  Rolling Stone

    But nobody needed to hear Peaches yowling on "The Great Gig in the Sky," and Wayne Coyne and crew sound strangely constrained on this one
    Read Review

  7. 2.8 |  onethirtybpm

    The Flaming Lips’ new style just doesn’t fit with Pink Floyd’s dreamy prog-rock
    Read Review

  8. 2.0 |  The Irish Times

    Coyne and co also displace the work of an utterly English concept album, transforming it from an elegant, succinct and often simplistic work into a series of shrill, self-conscious footnotes
    Read Review

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Back On Top?

2114¬The Manic Street Preachers have had something of a critical rebirth with their last two albums, and that trend looks set to continue with their latest offering. The Line of Best Fit call it a "wonderful album", while The Fly reckon they "are in the form of their life". With only a few reviews in so far, it seems we could have a contender for the higher echelons of our chart.¬True¬

Pain and pleasure

2105¬Can the third of the three Mancunian electro-ish bands which featured in the BBC's Sound of 2010 list emulate the success of their counterparts, Delphic and Everything Everything? The jury's still out so far. NME is a big fan of the duo's 80s-inspired synthpop anthems, but The Guardian is far from convinced, and others find the album stylish but unremarkable. ¬True¬

Dream team?

2070¬You would imagine that one revered master of popular music working with the material of another revered master of popular music would result in something quite special. However that doesn't appear to be the case, according to many critics. Some find the album partially successful, others are seriously underwhelmed, such as The Guardian, which describes it as "horrible". ¬True¬

Mixed reactions

2106¬Very mixed views around on the fourth album from New York's prime purveyors of post-punk gloom, now back at their old label, Matador. Most critics accept they've moved on from the danceable rhythms and singalong hooks that leavened their earlier work. The reaction to what remains is very varied: some, such as Uncut, regard it is refined and elegant; others such as Spin regard the new material as dull rather than hypnotic. ¬True¬