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8.0
115464
8.0 |
Q
The result is as dreamy and captivating as anything Nicolas Godin has ever done. Print edition only
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7.0
115465
7.0 |
Uncut
Soft keyboard lines wow and flutter tastefully. Print edition only
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7.0
115468
7.0 |
All Music
Though the closest Godin comes to the excitement of Contrepoint is the jazzy, suite-like finale "Cité Radieuse," Concrete and Glass is still a fine example of his distinctively smooth style
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7.0
115470
7.0 |
The Music
A carousel of guest vocalists keep things mostly floating in pop music bubbles, until the album shifts to an industrialised timbre
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7.0
115471
7.0 |
musicOMH
Concrete And Glass is a fine piece of architecture, typically classy and emotive while providing some very necessary warmth and light for the January darkness
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6.7
115463
6.7 |
Pitchfork
The French musician’s solo album is full of blissed-out vocoder ballads that would have slotted effortlessly onto his duo Air’s Moon Safari
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6.0
115469
6.0 |
Loud And Quiet
Concrete and Glass might be all black-rimmed spectacles and immaculate blueprints, but, amongst its clean lines and crisp arrangements, it just about retains enough of slow-burning warmth to be as instantly recognisable as Godin, even if it isn’t his grandest design
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6.0
115466
6.0 |
Mojo
More recognisably Air-like despite half its tracks being merely serviceable collaborations. Print edition only
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6.0
115467
6.0 |
The Guardian
The former Air member’s second solo album is a paean to various architects the veers between elegant and insipid
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