19 September 2025
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Swedish ambient techno specialist Axel Willner's follow up to the acclaimed 2007 debut Here We Go Sublime
7.1
Processed it may still be, but the emotions this time round feel more human, and, as a result, make a deeper impact. Read Review
This is clever, rewarding music that, like all the best music, transcends its own components and particular genre. Willner has effortlessly created what may very well turn out to be the soundtrack to a lot of different summers this year Read Review
It sounds like a hesitant record, made by a man stuck between the rock of new non-DJ expectations and the hard place of an artist's desire to grow without being compromised by an audience whose needs he can only guess at. It's also quite good, despite the possible failure of nerve on its creator's part. Read Review
Yesterday And Today, its six tracks clocking in at roughly the same hour as Sublime's ten, is characterised by an expansion of everything but the rigour that thrust moments on Willner's debut to heights nothing here quite matches Read Review
Willner will again lap up plaudits by the pound, but inside he must surely feel that ‘Yesterday And Today’ is a safe, box-ticking album that’s only half the record it could well have been with a little more adventure Read Review
Wednesday Bleeds
It has all the ingredients and themes explored, the witty lyrics depicting eccentric narratives, soulful steel and melodic guitar, whether scratchy or tender Clash
Biffy Clyro Futique
It’s a good effort in their catalogue with some shining moments, but it’s unlikely to invite those in who aren’t already fans of the band Clash
Karly Hartzman leads her North Carolina band in another triumph. The careful songwriting and coiled performances wrestle with the many fiascos of life and love Pitchfork
Alice Cooper The Revenge Of Alice Cooper
Alice Cooper still possess artistry in spades. As their new album reveals, the band’s musical bond was too strong to be broken by time—or even by death PopMatters
Kieran Hebden and William Tyler 41 Longfield Street Late ‘80s
It’s ultimately futile to fight the album’s considerable charms, culminating in “When It Rains”, a low-lit, minimalist beauty that eventually curdles into a storm of fiercely shrieking guitar feedback and electronic dissonance The Line Of Best Fit
Bringing some straight up country sounds to the mix broadens Hartzman’s palette and the added variety makes Bleeds an across the board winner Under The Radar
Jade That's Showbiz Baby!
Jade has released one of the most fun, ambitious and varied debut albums of the year. It was more than worth the wait God Is In The TV
NewDad Altar
Dawson resists, bawling the word 'hate' on the scathing 'Roobosh', as if she were Poly Styrene or Siouxsie Sioux The Arts Desk
Not too extreme, but also not safe; Biffy Clyro soar elegantly here The Arts Desk
With more eyes on Wednesday than ever before, Karly Hartzman has delivered a record that’s lean, confrontational and lived-in NME
Looking inward for a reason to go on, the Scottish rock legends draw on their best moments and a Bowie-esque European sheen for a vulnerable yet life-affirming blast NME
On the indie rock outfit’s fourth album, darkness and humor uplift each other with jocose morbidity as Karly Hartzman’s pen amplifies them both Paste Magazine
Maruja Pain To Power
Musically, Pain to Power doesn’t stick to one genre. The raw edge of post-punk collides with jazz, doom, rap-rock, and post-rock ambience Northern Transmissions
Bleeds is an album of being kept awake by the trivial, a collage of bleary-eyed snapshots of the humorously mundane and our attempts to wrestle with their unsightliness Northern Transmissions
Violent Nature might be the most honest record I Prevail have given us in their quick rise. Having come through big change, they’re embracing their new reality, and delivering on their promise to be one of the finest metalcore acts of their time Kerrang!
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Bob Dylan Rough and Rowdy Ways
Nick Cave And The Bad Seeds Skeleton Tree
Frank Ocean Channel Orange