26 May 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Remastered version of 1989 debut album from grunge pioneers
7.6
Its importance is based on what came after, but twenty years later, Bleach still has my affection as not only a major relic of my past but as a prelude to the last time pop music had a soul Read Review
...rather than unfairly compare it to the platinum sheen of sophomore release Nevermind, Bleach is best appreciated today as a snapshot of a specific time and place, of a Seattle scene bubbling up before it turned into a media adjective Read Review
To anyone who already owns Bleach, and doesn’t necessarily want to have to buy this reissue, you can achieve the same (and better) results by simply turning up your amp the next time you listen to this important record Read Review
Print edition only
...it’s become increasingly fashionable (even among those who weren’t “there”) over the last few years to say that Bleach is the best Nirvana album – a patently absurd claim, but not one without its twisted merits Read Review
Time hasn't diminished Bleach's charms (you can't sing along to "Negative Creep" without laughing), but who would've guessed this band had Nevermind and In Utero in them? Read Review
Cobain’s debut offering is perhaps best viewed as the author showing his working: listened to now, it’s clearly awash with caustic, malformed clues as to how Nirvana made that final giant leap from mainstream success to their swansong - and easily their greatest - studio recording ever Read Review
Bleach may not be their finest, but it’s certainly one of their most significant releases – the hallmark of a band who became legendary, and whose records endure, even 20 years on Read Review
Endino's ability to realise that tinkering ought to be kept to a minimum when handed a gravelly, grimy rumble like Bleach is a big factor in the album's success as a statement of where Nirvana were 'at' Read Review
At the end of the day, Bleach is still the weakest of the band’s full-length albums, but there’s enough good stuff to merit a spin Read Review
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Nirvana: Bleach (Deluxe Edition)
Ed O’Brien Blue Morpho
‘Blue Morpho’ offers a reminder that, as he and his other bandmates have repeatedly proved, O’Brien boasts a wholly-uninhibited approach to how rock and pop music is arranged, resulting in works that move and grow like the building blocks of life itself Clash
Kevin Morby Little Wide Open
Represents a musical homecoming for Morby to the Americana that is central to much of his work No Ripcord
Lykke Li The Afterparty
On a purportedly final album, the Swedish electro-pop singer’s disenchantment takes shape around sparkling synth and light-touch disco beats Pitchfork
Paul McCartney The Boys of Dungeon Lane
A richly nostalgic trip that proves this legend is still as creative as ever Rolling Stone
Tori Amos In Times Of Dragons
Her vocals have rarely sounded better. A husky tone has slowly emerged, giving her a Patti Smith croon to her words of scorn. Anyone who has followed Amos’ career to date will relish this addition to her cannon. It might, hopefully, attract new fans too Under The Radar
Full of wonder, full of creativity, and possibility, fully realized and here for our delight. Like the album as a whole this is a truly excellent piece. It features lyrics full of thankfulness as we “feel the grace in all of life, thank you for this time.” What a great note to end a special album on Under The Radar
The Coral 388
By the time the rocksteady sway of “Spirit Catcher” and the effortless pop beauty of “Crossing The Sands” close the album, The Coral seem firmly back in the swing of creating music again. Hiatus done and dusted XS Noize
Every choppy guitar line and snaking Hammond or Farfisa lick form hooks in their own right The Arts Desk
By reconnecting with their past, The Coral have found the essence of who they are now - and it's pretty magical Mojo
It's an utter delight, an album that touches on all those influences [rocksteady, doo wop, soul, ska and 2-Tone] but still sounds like nothing but The Coral. Print edition only Record Collector
It’s a lucky number thirteen for fans – The Coral remain a band to cherish Clash
Despite an unorthodox release pattern that harks back to an era before streaming, the Wirral outfit's 13th album is one of their most accessibl musicOMH
Broken Social Scene Remember The Humans
While Remember the Humans aims to recapture something of vintage Broken Social Scene, the key aspects of their old sound simply can’t be reproduced by this version of the band Spectrum Culture
The singer/songwriter makes a valiant pivot into rock, though he lacks the backbone, grit and conviction to make it work Spectrum Culture
The guitarist’s second solo outing – but first under his actual name – offers mindfulness via a widescreen prog-folk trip NME
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways