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Ezra Collective
Here Because of Hope
There are fewer showpiece guest moments than last time. But the world the album covers is wider, and the playing is the best argument in it. Joe Armon-Jones and the Koleoso brothers have been locked together since their Tomorrow’s Warriors days, and it shows in how little any of this strains
The Quietus
Gilla Band
Pugnello
Placed alongside their contemporaries in the last decade’s post-punk boom, what they’re doing is far harder to define, and a great deal more interestin
The Line Of Best Fit
Julia Jacklin
The Gem
If The Gem is frequently beguiling, it’s for this tamped volatility or simmering despondence, a not-so-quiet desperation bubbling in the depths
The Line Of Best Fit
Julia Jacklin
The Gem
The album asks what independence is worth when it starts to look like crushing loneliness
Slant Magazine
Julia Jacklin
The Gem
The Gem’s highlights will easily stand alongside Jacklin’s multi-faceted works to date
Under The Radar
Ezra Collective
Here Because of Hope
This is a fun record, perhaps lacking the surprise factor of a major hit like “God Gave Me Feet For Dancing,” but still clearly cementing them as a key act who are growing, as well as spreading joy wherever they go
Under The Radar
Echo And The Bunnymen
Apples For Isaac
For the most part, Apples For Isaac holds up extremely well
God Is In The TV
Beabadoobee
Pylon
On her fourth album, beabadoobee has taken some of the alternative influences that have always been present in her music and pushed them further
Spectrum Culture
Bonobo
Distance in Static
The eighth album from the electronic veteran has its moments but runs out of gas
Spectrum Culture
Gilla Band
Pugnello
Their fiercest, most ruminative release to date
DIY
Bloc Party
Anatomy Of A Brief Romance
The story of the UK band’s seventh studio album is bound to conjure more eye-rolls than sympathy
Paste Magazine
Gilla Band
Pugnello
The Irish post-punkers’ abrasive fourth album is a masterwork in wrenching the beautiful from the ugly
Paste Magazine
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