29 October 2025
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
Browse specific styles
Third album from Australian electronic musician Harley Edward Streten includes collaborations with Oklou, May-a, Kucka, Laurel, Virgen María, Emma Louise, Caroline Polachek and Damon Albarn
6.2
This techno-charged offering upscales the drops, fidgety distortion and replay value that has proved a constant in his playbook Read Review
On this third album, the musician couples his floor-shaking, hit-making style with quieter moments of introspection, reaching new heights in the process Read Review
Intended to be enjoyed by both faithful Flume stans and new listeners drawn to the beauty of a cacophonous, glitched-out style popularised by super-producers like SOPHIE, Danny Harle, and more Read Review
Although not without its inspired moments, Harley Streten’s third LP confirms that he’s most creatively free outside the album format Read Review
Flume’s Palaces is as surprising as it is forgettable Read Review
The Australian producer’s latest gets stuck between innovation and the urge to party like it’s 2014 Read Review
Palaces is so obsessed with the serenity of open air that it forgets how much more exciting Flume is when he picks apart a single concept Read Review
Roll over video for more options
Brandi Carlile Returning To Myself
Carlile’s eighth album does the difficult work of cracking open the soul to let flow her vulnerability. The songs succeed in their tasks: bringing her into a fresh creative moment where she flourishes A.V. Club
There's a fine story-telling country song (No One Knows Us); a dramatic rocker (Church & State) - and songs whose piano and multiple harmonies feel like church (You Without Me; Joni). But it never sounds less than gorgeous. Print edition only Mojo
On Returning to Myself the esteemed singer-songwriter turns inward Rolling Stone
With its comparatively restrained approach only reasserting Carlile's gifts as a confident, compassionate, and sympathetic communicator, Returning to Myself offers an equally compelling edition of the musician that may appeal to new, less country-inclined fans All Music
Carlile’s eighth album does the difficult work of cracking open the soul to let flow her vulnerability. The songs succeed in their tasks: bringing her into a fresh creative moment where she flourishes Paste Magazine
Skullcrusher And Your Song is Like a Circle
Whilst not always hitting compositionally and emotionally, the sharper structure and snappier performances tend to capture the weight that Skullcrusher is pulling from Northern Transmissions
Demi Lovato It’s Not That Deep
Lovato’s 10th record shudders its way to the bathroom and makes time amid the intense beats and strobe lights for self-exploration. “It’s not that deep unless you want it to be,” she sings. It’s good to be flexible Northern Transmissions
Tortoise TOUCH
Thirty years in, Tortoise are still searching, still listening, still following the sound wherever it leads Northern Transmissions
The Last Dinner Party From The Pyre
Scenery and bombast are still on the menu for the Last Dinner Party’s second course Spectrum Culture
Dave The Boy Who Played the Harp
Returning with his first album in four years, the arena-filling UK rapper is still such a smart, sharp lyricist as he explores a series of existential crises The Guardian
This is a staggeringly powerful record. Continually evading easy descriptors, Dave pushes his art to higher levels Clash
Whether she’s sticking her neck out into newer territory or playing faithful to her roots, one thing’s clear: Lovato’s at her best when it comes easy Clash
Touch reflects the curiosity that has driven Tortoise since the beginning -- and still drives them all these years later All Music
Lily Allen West End Girl
A hard-hitting pop exposition, it frequently feels daring, while also providing an endless supply of hooks. ‘West End Girl’ finds Lily Allen at the centre of a romantic implosion, making imposing shapes out of the rubble Clash
The Antlers Blight
The group’s seventh album simmers with dread about environmental catastrophe, which is addressed both sincerely and tediously Pitchfork
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Bob Dylan Rough and Rowdy Ways
Nick Cave And The Bad Seeds Skeleton Tree
Frank Ocean Channel Orange