26 October 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Fourth solo album from the Houston rapper featuring guest appearances from Bon Iver, Sampha, Drake, Playboi Carti, Beyoncé, 21 Savage, the Weeknd, Yung Lean, Young Thug, James Blake, Kid Cudi, Bad Bunny, Future and SZA
6.2
UTOPIA sees Scott stay true to his style, his preferences, and his principles, going against the grain of the tendencies in the viral-hungry world that is 2023 ra Read Review
Lead single ‘K-POP’ remains a titanic moment, but its immediacy is perhaps a misnomer on a record dominated by misdirection, about-turns, and sudden revelations Read Review
The album operates less as a cohesive body of work and more as a series of show-stopping set pieces Read Review
The Houston rapper's first album since 2018 teases a brave new sonic world, but has little to say about what might happen if we get there Read Review
In an attempt to give the world a true blockbuster rap album, the Houston rapper delivers a shiny, empty spectacle loaded with pop superstars who rarely make an impact Read Review
The reality is that while Scott is a masterful curator, he’s just an OK rapper. Those two realities are discordant for too many moments on Utopia Read Review
Returning with a long-awaited fourth album in the wake of the Astroworld disaster, Scott’s rhyming isn’t strong enough to distinguish him from his A-list guests Read Review
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Tony Iommi From The Dark
Doomheads may regret this new record isn't an experimental black mass of riffs. Fans of lacy-sleeved hard rock, however, will lean into the tuneful thunderstorm. Print edition only Uncut
The whole thing is biblically, sometimes exhaustingly epic, but a timely reminder of Iommi's pioneering musicianship. Print edition only Mojo
From The Dark is the sort of album where nothing is out of place - everything adds to its integrity, and to the brooding atmosphere of foreboding. Print edition only Record Collector
Considering that Tony Iommi is one of, if not the, most significant heavy metal figure in the current landscape, you’d be hard-pressed to find anyone who doesn’t believe From The Dark to be a deeply significant moment in his career Far Out
Iommi’s vision and intentions make for a seriously powerful set of tunes that will keep plenty of Metalheads more than happy The Arts Desk
This is a splendid album, brilliantly performed and recorded; it is forward-looking and completely able to hold its own in the contemporary metal world Louder Than War
A reaffirmation of the man’s elemental power and enduring importance Kerrang!
Michael Kiwanuka Fudge
A creative partnership's end – and new beginnings. Print edition only Uncut
Fudge hardly resembles a low-budget effort, nor is it truly anomalous in the context of Kiwanuka's catalog. It largely consists of plaintive ballads -- fully formed hybrids of soul, folk, and roots rock teeming with heartache, doubt, and weary resolve All Music
Kiwanuka sounds spiritually at home and much the better for it. Print edition only Record Collector
Sombre and reflective songwriting from a modern soul great Clash
Richard Thompson Hippies, Thugs And Heroes
The Brit folk legend's latest fits comfortably into his catalogue, all fiery Stratocaster riffs, doomy ballads and stories of vagabonds and ne'er-do-wells musicOMH
Cameron Winter Live at Carnegie Hall
Many are calling the Geese frontman and solo phenomenon a generational talent, and his Carnegie Hall show something of a coronation. We’re not quite convinced No Ripcord
Fontaines D.C. Dopamine Chamber
The fifth album from Dublin’s Fontaines D.C. trades post-punk for polished pop-rock jams A.V. Club
The Avalanches No Bad Memories
Patching in audio logos and advertising dialog without interrupting the dreamlike sampledelic flow, the Australian band’s new album summons nostalgia for the era of truly mass media Pitchfork
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways