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Squeeze  Trixies

The U.K. pop heroes take a few steps backwards, reviving a song cycle they first conceived in the mid-1970s All Music

Squeeze  Trixies

Shows them off as precocious teens but lyrically naïve The Arts Desk

Squeeze  Trixies

Squeeze were always ambitious, although never at the expense of fun. Trixies is imaginative, impressive, and most importantly, fun PopMatters

Squeeze  Trixies

This concept album, conceived in the ’70s, presents the sound of one of the best bands in Britain who have reached the early morning hours and are ready to go again musicOMH

Squeeze  Trixies

Squeeze’s first new album in nearly a decade is based on material written when they were teenagers. It’s endearing but callow The Guardian

Squeeze  Trixies

Trixie’s bears many of the hallmarks the group would, a few years later, become celebrated for. Several hooks and melodies offer up the kind of earworms that helped establish Squeeze as one of the UK’s most dependable and radio-friendly singles bands, and there is already an astonishing maturity to Difford’s lyrics, often taking the form of poignant character studies Record Collector

Squeeze  Trixies

With their abundance of charm and good cheer, the performances ensure the patchier numbers still satisfy. More genuinely impressive are "You Get The Feeling" and "Hell On Earth", corkers that demonstrate the creative chemistry that was there since moment one. Print edition only Uncut

Squeeze  Trixies

Revived and newly recorded, Difford and Tilbrook’s pre-fame project might be the best work of their caree Mojo

Bill Callahan  My Days of 58

An unassuming delight and a further feather in the cap of one of most enduring songwriters of his generation No Ripcord

Mitski  Nothing's About to Happen to Me

On her eighth album, Nothing’s About to Happen to Me, singer-songwriter Mitski employs a country-folk sound to reflect the peace found in isolation PopMatters

Morrissey  Make-Up Is A Lie

His 14th album isn’t going to do much to change his strange place in the world, but it proves his pain is real too Rolling Stone

Harry Styles  Kiss All The Time. Disco, Occasionally.

The star has drawn from eclectic influences to create a joyous fourth album that’s impossible to pigeonhole Rolling Stone UK

Charli XCX  Wuthering Heights

Regardless of one’s feelings toward Fennell’s film, which has proven controversial since its release, Charli XCX’s “soundtrack” stands firmly on its own and must be judged accordingly, not only as one of the year’s key releases but as a significant contribution to modern pop Under The Radar

Morrissey  Make-Up Is A Lie

"I don’t like you," he then continues ad nauseum. This is what he excels in The Arts Desk

Bill Callahan  My Days of 58

Callahan’s look back at his 58th year delivers all of this still world, sometimes with a wink, but always with a calm consideration Spectrum Culture