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10.0
145163
10.0 |
DIY
NEW
A candid, introspective triumph that leaves just enough of the dancefloor well and truly alive
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10.0
145164
10.0 |
The Guardian
NEW
How do you follow up the album that made you a star – and a caricature? In classic Charli style: with a pivot to guitar and a meta masterpiece about the instability of identity
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9.0
145165
9.0 |
The Line Of Best Fit
NEW
Her art dips into legacies without being beholden to them, rejecting references as soon as she invokes them, creating a playful contradiction that feels like her own post-postmodern language
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8.8
145167
8.8 |
Beats Per Minute
NEW
Brilliant writing that is subtle and clever, delivered with arrogance, irony and self deprecation
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8.2
145166
8.2 |
Pitchfork
NEW
On the follow-up to BRAT, the pop auteur pivots to a referential, proudly tossed-off rock sound that offers mystifying glances behind the curtain of stardom
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8.0
145168
8.0 |
Rolling Stone
NEW
Her proper follow-up to Brat is a brilliant, catchy, often very funny look at the machinery of fame
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7.0
145172
7.0 |
musicOMH
NEW
Latest experimental offering from Charlotte Aitchison may sail close to self-indulgence but also cements her status as one of our most compelling pop stars
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7.0
145177
7.0 |
Sputnik Music (staff)
NEW
If anything, Charli should’ve probably taken more time to develop this release – especially considering she just released Wuthering Heights earlier in the year. With a bit more time and development, Music, Fashion, Film could’ve been
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6.0
145169
6.0 |
The Independent
NEW
The pop star’s seventh album plays around with a number of ideas about her three favourite artforms, along with questions of identity and self-worth. It’s strange to hear her sounding so unsure of herself after the neon-green boldness of ‘Brat’
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4.0
145170
4.0 |
Far Out
NEW
If Brat was the nightclub, then this feels like three hours into the after party that you never wanted to be at, full of posers chatting shite about “real incestuous vibes”
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