24 March 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Second release from the Canadian folk / pop singer-songwriter
6.5
Folk can be a notoriously intransigent genre, and Basia Bulat probably occupies the less user friendly end of the spectrum, but for those who like an album which grows and reveals its treasures slowly, A Heart of My Own is gold Read Review
The songs are about loneliness, love, separation, life’s ups and downs, and are mostly very good, but it is her voice that really sets them apart Read Review
At times arresting, at other moments it's let down by some odd choices in the production and mixing. There is enough to hold the attention and to draw the listener back, particularly a couple of great songs and some excellent musicianship Read Review
...when it’s good, it’s good: tracks Run and Sparrow are highlights for their deft songwriting matched with Bulat’s emotive voice and Howard Billerman’s dramatic instrumental arrangements Read Review
Expertly and diversely arranged, the songs of Heart of My Own build and hover, often in surprising ways Read Review
While Bulat's versatility's a selling point, it's her rare, extraordinary voice that makes her a fresh find in the notoriously musty folk-pop bin Read Review
Her voice has this amazing quality, it sounds live somehow, a beautiful clear tone that is somehow interfered with by a very subtle watery rasp, or a wobble akin to Antony Hegarty Read Review
Her debut was invitingly enjoyable ... but some of her ideas seemed almost half baked... On Heart Of My Own the focus is evident and it’s much more accessible and easier to enjoy as a result Read Review
Print edition only
At times it sounds a bit too polished... Yet despite her earnestness Bulat remains an intriguing prospect Read Review
...you'd like to hear what Bulat would do with another producer next time around, because working with this one has been a mixed bag on two recordings now Read Review
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Basia Bulat: Heart Of My Own
Ladytron Paradises
Ladytron have produced an album that, from its inception, sought to invoke the same spirit that the band had 25 years ago Far Out
Gorillaz The Mountain
The strongest case in years that Gorillaz can still make records that matter as records Dork
Kim Gordon Play Me
'Play me' doesn’t try to comfort. It tries to provoke, energise and outlast the scroll Dork
The Orielles Only You Left
These songs come from months of demo-hoarding and forensic listening, the band archiving every practice-room spark before lovingly picking through the results Dork
James Blake Trying Times
Blake sounds energised by the room he has carved out for himself Dork
Harry Styles Kiss All The Time. Disco, Occasionally.
This isn’t an album built like a straight line from hook to hook. It moves in waves, often favouring texture and atmosphere over immediate release Dork
Underscores U
It’s technical excellence as a musical product cannot be overstated. For a pop album to be this busy yet possess a pocket as deep and rich as underscores displays here is simply amazing Sputnik Music (staff)
Indie rock icon Kim Gordon acerbically wrestles with the state of the world over hip-hop and industrial beats on Play Me PopMatters
The former electro-pop enfant terrible swings big on her latest album, compressing all her split personalities and eclectic tastes into a high-gloss, high-stakes gamble to remake pop on her own terms Pitchfork
On U, she finds a clearly-defined, rounded-out identity in her music for the first time, and she delivers the most immediate and the most robust work of her career The Line Of Best Fit
Performing, writing and producing everything herself, April Grey pares back her hyperpop electronics for an LP in thrall to 90s pop-R&B, with songs that big stars would die for The Guardian
April Harper Grey’s latest hits all the beats of a classic pop record — a choreo-primed single, a power ballad, a post-breakup closure anthem — without overstaying its welcome Paste Magazine
A tour-de-force of production chops that cements April Harper Grey as a key auteur in the future of the genre NME
Alexis Taylor Paris In The Spring
Paris in the Spring is a gem of a record which, while never over-reaching its ambition, sparkles with electronic ingenuity as it takes in all seasons of human experience Spectrum Culture
It's a beautiful collection of genre-hopping songs. Print edition only Uncut
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