3 November 2025
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Second release from the Canadian folk / pop singer-songwriter
6.5
Folk can be a notoriously intransigent genre, and Basia Bulat probably occupies the less user friendly end of the spectrum, but for those who like an album which grows and reveals its treasures slowly, A Heart of My Own is gold Read Review
The songs are about loneliness, love, separation, life’s ups and downs, and are mostly very good, but it is her voice that really sets them apart Read Review
At times arresting, at other moments it's let down by some odd choices in the production and mixing. There is enough to hold the attention and to draw the listener back, particularly a couple of great songs and some excellent musicianship Read Review
...when it’s good, it’s good: tracks Run and Sparrow are highlights for their deft songwriting matched with Bulat’s emotive voice and Howard Billerman’s dramatic instrumental arrangements Read Review
Expertly and diversely arranged, the songs of Heart of My Own build and hover, often in surprising ways Read Review
While Bulat's versatility's a selling point, it's her rare, extraordinary voice that makes her a fresh find in the notoriously musty folk-pop bin Read Review
Her voice has this amazing quality, it sounds live somehow, a beautiful clear tone that is somehow interfered with by a very subtle watery rasp, or a wobble akin to Antony Hegarty Read Review
Her debut was invitingly enjoyable ... but some of her ideas seemed almost half baked... On Heart Of My Own the focus is evident and it’s much more accessible and easier to enjoy as a result Read Review
Print edition only
At times it sounds a bit too polished... Yet despite her earnestness Bulat remains an intriguing prospect Read Review
...you'd like to hear what Bulat would do with another producer next time around, because working with this one has been a mixed bag on two recordings now Read Review
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Basia Bulat: Heart Of My Own
Snocaps Snocaps
The Crutchfield twins — accompanied by MJ Lenderman and Brad Cook — reunite for a spirited new project that plays to their strengths and embraces all the miles they’ve traveled Pitchfork
Waxahatchee’s Katie Crutchfield and her twin sister Allison Crutchfield of Swearin’ get together for a fantastic surprise album Rolling Stone
Despite Snocaps' supergroup pedigree, their debut album feels less like boygenius-style star-making moment and more like a low-stakes romp. With a spirit of fun and camaraderie, this feels a bit like the rock-leaning cousin to Katie Crutchfield's band Plains Exclaim
Music from Katie is always welcome and, these days, not so rare. Which makes the return of Allison to the forefront on half these tracks the most wonderful of Snocaps’ surprises Under The Radar
Waxahatchee and her twin sister are joined by Lenderman and Brad Cook for an album of headstrong, tender Americana about chasing integrity and conviction The Guardian
The twin sisters’ first album together since P.S. Eliot’s breakup in 2011 is a hailstorm of warm, exceptionally-written country-rock bangers backed by MJ Lenderman and Brad Cook Paste Magazine
Witch Fever Fevereaten
Every single aspect of this record presents an elevated version of a band that many already loved, and it’s a joy to listen to Far Out
Anna Von Hausswolff ICONOCLASTS
For newcomers, this album presents a near perfect, accessible entry into her recordings All Music
The Charlatans We Are Love
The Charlatans have done with We Are Love and while it may not win them front page news, it's an accomplishment well worth applauding All Music
Florence + The Machine Everybody Scream
Her first album after three difficult years is an epic reassertion of Florence’s fearsome, spell-binding power Evening Standard
It’s the sound of a band unafraid to stare something horrible in the face and keep moving forward anyway Dork
A little more of Final Girl's filmic atmospherics might have added life and range, but when Drank The Sap hits its stride, Witch Fever max the catharsis with satisfying force. Print edition only Record Collector
Witch Fever is a band with overwhelming promise. Even in ‘FEVEREATEN’s less cohesive moments, they show their potential to grow into their sound and harness every remnant of emotion Clash
In their second full-length album, Manchester's Witch Fever deliver a high impact, genre-bending rejection of hegemony The Skinny
This is an album for the coldest of autumns and for dark nights of the soul. It’s hellish, haunting and an emotional maelstrom, deeper and more textured than Witch Fever have ever gone before. At this point, everyone needs to know who this band are Kerrang!
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D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
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Frank Ocean Channel Orange