29 January 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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The San Francisco psych-rock three-piece are back with their sixth studio album
5.6
Beat The Devil's Tattoo can hold its head high as their most compulsive body of work to date Read Review
An album that places B.R.M.C. in a similar position they were in at the start of the last decade: hungry, fearsome and covered head to toe in dead animals Read Review
Print edition only
BRMC still seemingly pick their songwriting styles by throwing darts at a rock'n'roll genre chart Read Review
The songs do everything you would expect, the classic blues-tinged psychedelic garage band rock that B.R.M.C. are known for. That’s the good news. The bad news is that this new offering really doesn’t give us anything we haven’t already heard before Read Review
BRMC’s sixth album cements their place as the nearly-men of rock Read Review
Devil's Tattoo is unremittingly grim, and undeniably fun. Few bands wear their frowns so well Read Review
Mostly enjoyable and mostly problem free. It’s their most consistent outing since their debut, but it’s never much better than average Read Review
San Francisco’s most famous stoners return with a sixth album that growls and fuzzes like the intermediation since 2005’s ‘Howl’ never happened Read Review
There's a fine line, however, between "big dumb fun" and "insulting your intelligence." Read Review
Nearly 10 years after their debut album, they STILL think they are the most badass bunch of outlaws in town Read Review
An often muddled and inconsistent work and its defining characteristic is how irritating it is that they get so close and yet fall so short Read Review
For all their bluster and feedback, though, it seems that BRMC are still making albums as predictable as they come Read Review
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Black Rebel Motorcycle Club: Beat The Devil's Tattoo
Ari Lennox Vacancy
Neo-soul elegance and late-night vibes define the R&B star’s most inviting record to date NME
Lennox’s music often nods to the past, but her new album feels more in tune with the zeitgeist Slant Magazine
The singer’s first album for Interscope is honey-sweet, grown-up R&B that’s looking for a little something missing Pitchfork
Lennox balances jazz-soaked tradition with flashes of unruly humour and a surefire viral hit The Guardian
Jenny on Holiday Quicksand Heart
Feels more like a steady progression than a revolutionary rebrand No Ripcord
Megadeth Megadeth
Megadeth's self-titled swan song is weighted down by its own sense of importance No Ripcord
The Cribs Selling A Vibe
They're truly at their best when their tuneful choruses come paired with a raw, stripped-down treatment No Ripcord
Westside Cowboy So Much Country ‘Till We Get There
Island imprint Adventure Recordings appears to be giving Westside Cowboy a hefty push, and the early signs are that they have the chops to make the most of it No Ripcord
Cast Yeah Yeah Yeah
This is Cast sounding comfortable, confident, and settled. The songs are strong, the production is polished without being overworked, and the band sound like they know exactly who they are at this stage XS Noize
With as many albums in this century as in the last, ‘Yeah Yeah Yeah’ finds Cast building on the momentum of the previous two years with both confidence and quality. Refusing to trade solely on nostalgia, it’s a beefed-up version of their best selves. Long may their positivity last Clash
The Liverpudlians’ eighth album is the sound of a band determined to prove they’re more than a Britpop legacy act musicOMH
Power's voice is improving with age, especially confident and commanding on the closing, psych-baroque "Birds Heading South". Print edition only NME
The excellent PP Arnold featuring lead single Poison Vine is a good indicator of the move towards a very Stones-y type of uplifting soulful rock and blues; the swelling gospel rock of Don't Look Away is the most stirring thing they've done yet. Print edition only Record Collector
Instead of going out with a nuclear bang, Megadeth serves lean sides that won’t clog the final tour’s setlists Beats Per Minute
Louis Tomlinson How Did I Get Here?
The songs on the former One Direction member’s over-referential, sometimes uneven third album don’t shrink down for anyone, and he sells his disappointment and anxiety with nuance, refusing to bemoan his own celebrity Paste Magazine
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways
