19 August 2025
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Second album of guitar rock with touches of retro folk and psychedelia from the Montreal trio
6.2
... expanding and expounding upon the band's sound in a way that is utterly thrilling while still retaining all the muted joy and gentle perfection of Parc Avenue Read Review
The closest we get to a concession that there was life after 1975 is penultimate track Future from the 80s, a beautiful piece of low-strummed ambience Read Review
Their debut was naive, messy and fun; this album sees the band acting all earnest in pursuit of a more 1970s-style AOR record. This seriousness has somewhat damaged the output Read Review
By the time the amps stop ringing, you feel you've travelled through a cohesive, front-to-back, old-fashioned album, one that you probably wouldn't be surprised to learn still got plenty of spins decades down the line Read Review
While La La Land may not be the stellar follow-up that Parc Avenue deserved, it does offer something for fans willing to look beyond its tarted-up exterior Read Review
Plants and Animals are still stretching, still trying to swell around us, and pull us into their world. On this record, they’re just a little more up front, and little less theatric, about it Read Review
La La Land is a sign of a band who aren't afraid to forge their own path at the risk of a lack of commercialism Read Review
These new songs ultimately fail to find a proper balance between Plants And Animals instinctive desire to create something new and their tendency to overtly honor their influences Read Review
In what was already an inane, washed-up concept to begin with, P&A fail to enlighten by opting to deliver trite lyrics and characterless humor for their own amusement Read Review
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Plants And Animals: La La Land
Conan Gray Wishbone
It’s exceptionally sharp emotional writing, making ‘Wishbone’ some of his most affecting work yet Dork
His not-quite-angst meets its musical equivalent in its not-quite-alternative sound DIY
The singer’s new album Wishbone mixes slow intimate moments with hit-worthy pop-rock cuts Rolling Stone
‘Wishbone’ stands as a confident pop statement, pairing Gray’s impressive vocal prowess with sleek, polished production. In a female-dominated landscape, and during a noticeable drought of male pop stars, Conan Gray’s return is a genuine breath of fresh air Clash
Wishbone is a complete arc, capturing both the elated, tidal-wave euphoria of falling in love and the bittersweet comedown off that wave. And it's not just the feelings of love, but the tastes, the smells, and the thrilling sweaty intimacy of being close to another person in every sense that Gray embodies All Music
Dijon Baby
The Baltimore singer-songwriter and producer returns from hiatus in some style with an album captures the chaos and beauty of newfound fatherhood NME
Refusing to surrender the emotional core of his songwriting against the dazzling array of studio fireworks, this is Dijon at his strongest – an artist stretching his discipline into evocative new shapes Clash
The Los Angeles singer’s second album is a spectacular new vision of soul, pop, and R&B. His surrealist, collagist approach to songwriting stretches the bounds of sound and feeling Pitchfork
The singer-producer’s second album isn’t a breakthrough or a comeback, but meteoric proof that his debut was star-making and his sound will command the genre’s next destiny without leaving any of its ancestry behind Paste Magazine
Dijon’s best material used to feel like it could fall apart at the seams, delicately constructed with the loving touch of a careful auteur – now, it sounds like ancestries of R&B and pop being shot through the stratosphere Northern Transmissions
With a willingness to push boundaries and lean into the unconventional with his sonics, without ever compromising on the always-stunning nature of his songwriting, ‘Baby’ is hypnotically brilliant Dork
Alison Goldfrapp Flux
The album may not offer the radical reinventions of Goldfrapp's duo work, but it doesn't need to - Alison Goldfrapp pioneered these sounds, and on Flux, she's still doing them with effortless elegance All Music
Marissa Nadler New Radiations
Sonic and atmospheric retreads aside, Nadler has conjured an impressive 10th LP effort that whisks away the listener to a plane far removed from the choking contemporary, a place both trepidatious and eerily comforting Far Out
Cass McCombs Interior Live Oak
The Bay Area-born troubadour’s 11th album treats memory as malleable, letting roots and self entwine in wry, unpredictable ways Paste Magazine
As a statement of McCombs' range and artistic prowess, it’s an impressive collection. As a singular listening experience, it tends to be a bit much Spectrum Culture
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Spiritbox Tsunami Sea
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Self Esteem Prioritise Pleasure
Bob Dylan Rough and Rowdy Ways
Nick Cave And The Bad Seeds Skeleton Tree
Frank Ocean Channel Orange