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Sir Lucious Left Foot: The Son of Chico Dusty

Big Boi

Sir Lucious Left Foot: The Son of Chico Dusty

First proper solo album from OutKast member, rapper and actor Antwan Patton

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  1. 10.0 |   Eye Weekly

    Big Boi is the McCartney to Andre 3000’s Lennon. Dre’s the tortured genius, but not only is Antwan Patton more crowd-pleasing ... Boi’s also the most prolific
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  2. 10.0 |   State

    Like Speakerboxxx before it, Sir Luscious Left Foot embodies more or less all that is exciting in Southern pop right now
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  3. 9.5 |   The Quietus

    Sir Luscious is an exquisite monster of an album, a classic before it's even a month old, and exceptionally consistent. For anyone with even a passing interest in the genre, it's truly life-affirming stuff
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  4. 9.2 |   Pitchfork

    A great album that sounds nothing like any of the great albums he's already given us. From where I'm sitting, that's an even greater achievement
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  5. 9.0 |   Tiny Mix Tapes

    Sir Lucious is meticulous in every way, down to every snare hit, every guest spot, every inter-song skit
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  6. 9.0 |   Drowned In Sound

    Brilliantly lives up to and even exceeds all the hype, mystique and hyperbole that has surrounding it since it’s inception, and it’s essential for anyone with even a fleeting interest in rap music
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  7. 9.0 |   Rave Magazine

    It’s not every MC who can impress while collaborating with rap-rockers or elaborating on his love of doing it doggy-style, but Big Boi does both with capable ease
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  8. 9.0 |   No Ripcord

    Anyone who was not convinced after Speakerboxxx that Big Boi is himself teeming and bubbling with creativity will be singing a different tune after Sir Lucious
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  9. 9.0 |   Spin

    Handing off massive choruses to Janelle Monàe, Jamie Foxx, and B.o.B, he steals your girl, your dignity, and then your couch—in that order—and what’s more, you’re fine with it
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  10. 9.0 |   FasterLouder

    As skilful, infectious and fiercely inventive as anything Outkast ever produced
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  11. 9.0 |   Prefix

    Even though he’s brought all his friends along for the ride, Sir Lucious Left Foot remains proof positive that Big Boi was never just “the other guy in Outkast." He’s a genius in his own right
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  12. 8.0 |   PopMatters

    Proves that half of OutKast is still twice as good as just about anything else
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  13. 8.0 |   The Guardian

    It offers a kaleidoscopic range of musical influences, some familiar – the Hendrix-influenced guitar with which the album opens – others straining at the boundaries of what you might expect
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  14. 8.0 |   NME

    The sound of a man with something to prove. Print edition only

  15. 8.0 |   Uncut

    Each beat has been handpicked to tickle a different tastebud. Print edition only

  16. 7.9 |   Beats Per Minute

    Ultimately, this an album mixed with the great and the passable. Some tracks are fantastic while others simply carry you along to the next.
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  17. 7.0 |   The Observer

    Consistently inventive and easy on the ear
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  18. 7.0 |   Rolling Stone

    Packing more style - and more substance – into his four minute long songs than other rappers deliver in an entire album
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  19. 6.0 |   Consequence Of Sound

    The album as a whole is a positive step in the evolution of an MC we’re all pretty happy with already
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  20. 6.0 |   Mojo

    While he's made something universally appealing, he's lost some of his uniqueness in the process. Print edition only

  21. 4.0 |   Evening Standard

    It's in the southern hip-hop tradition but as a rapper he lacks Nelly's winning way with a one-liner
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  22. 4.0 |   The Independent

    There's a laziness about some of the rhyming – does a girl called "Tangerine" really have to shake it like a tambourine?
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