29 January 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Second album from Seattle indie rock five-piece
5.7
Now that they've rid themselves of their self-sabotaging musical instincts of their first album, they are only just beginning to discover their own voice on their second Read Review
Bands such as the exceptional Sleepy Sun and Seattle's MSHVB are giving up the clever-clever in favour of a rawer, rockier approach Read Review
Floats comfortably in the middle of the indie river, pulling from tributaries all around; pop, folk, Americana, math rock, and metal Read Review
For the four players, it’s a brilliant second record that’s a step in the right direction, but for us, it’s easy to place Messengers as just another fish in a crowded sea Read Review
Grand, pastoral soundscapes, which loosely recall the likes of Pink Floyd Read Review
Though not without ideas of their own, the Seattle five-piece spend too long tugging on the sleeves of pantheon-members like Arcade Fire and Modest Mouse to fulfil their potential Read Review
One can’t help but wonder whether the band is simply trying to emulate all of their favourite bands at once Read Review
There’s a sense of a band playing their heart out, and of untapped potential, but in an over- crowded landscape, they have to work a harder to stand out Read Review
Successfully re-routes their orchestrated rock sound back to the first wave of late 60s progressive bands Read Review
A lot of interesting-sounding songs that have almost nothing to catch your ear Read Review
It's almost like MSHVB are going out of their way to go unnoticed, as there's just so little to grab onto here, in terms of either hooks or texture Read Review
Mt. St. Helens Vietnam Band: Where The Messengers Meet
Ari Lennox Vacancy
Neo-soul elegance and late-night vibes define the R&B star’s most inviting record to date NME
Lennox’s music often nods to the past, but her new album feels more in tune with the zeitgeist Slant Magazine
The singer’s first album for Interscope is honey-sweet, grown-up R&B that’s looking for a little something missing Pitchfork
Lennox balances jazz-soaked tradition with flashes of unruly humour and a surefire viral hit The Guardian
Jenny on Holiday Quicksand Heart
Feels more like a steady progression than a revolutionary rebrand No Ripcord
Megadeth Megadeth
Megadeth's self-titled swan song is weighted down by its own sense of importance No Ripcord
The Cribs Selling A Vibe
They're truly at their best when their tuneful choruses come paired with a raw, stripped-down treatment No Ripcord
Westside Cowboy So Much Country ‘Till We Get There
Island imprint Adventure Recordings appears to be giving Westside Cowboy a hefty push, and the early signs are that they have the chops to make the most of it No Ripcord
Cast Yeah Yeah Yeah
This is Cast sounding comfortable, confident, and settled. The songs are strong, the production is polished without being overworked, and the band sound like they know exactly who they are at this stage XS Noize
With as many albums in this century as in the last, ‘Yeah Yeah Yeah’ finds Cast building on the momentum of the previous two years with both confidence and quality. Refusing to trade solely on nostalgia, it’s a beefed-up version of their best selves. Long may their positivity last Clash
The Liverpudlians’ eighth album is the sound of a band determined to prove they’re more than a Britpop legacy act musicOMH
Power's voice is improving with age, especially confident and commanding on the closing, psych-baroque "Birds Heading South". Print edition only NME
The excellent PP Arnold featuring lead single Poison Vine is a good indicator of the move towards a very Stones-y type of uplifting soulful rock and blues; the swelling gospel rock of Don't Look Away is the most stirring thing they've done yet. Print edition only Record Collector
Instead of going out with a nuclear bang, Megadeth serves lean sides that won’t clog the final tour’s setlists Beats Per Minute
Louis Tomlinson How Did I Get Here?
The songs on the former One Direction member’s over-referential, sometimes uneven third album don’t shrink down for anyone, and he sells his disappointment and anxiety with nuance, refusing to bemoan his own celebrity Paste Magazine
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways