Albums to watch

Barking

Underworld

Barking

Collaborations abound on the first album in three years from techno / electronic duo Karl Hyde and Rick Smith

ADM rating[?]

6.4

Label
Underworldlive
UK Release date
13/09/2010
  1. 8.0 |   BBC

    What Underworld always retain is a unique warmth that exudes in great generous pulses from everything they do. There's a lightness and a jollity about their music which combines with an unabashed poignancy
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  2. 8.0 |   Uncut

    The sound of veterans re-energised. Print edition only

  3. 8.0 |   Mojo

    By tapping into alternative energy sources, Underworld have extended their career. Print edition only

  4. 8.0 |   State

    Overall, an album not quite out on a limb as the first two, and quite the ‘happiest’ they’ve made, but there are far to many moments of Underworld bliss on it to not love it
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  5. 7.0 |   Blurt

    Rooted in pop music as hooks and flourishes embellish and soften the harsh, mechanical edges that spring up throughout
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  6. 7.0 |   Independent on Sunday

    It's typical Underworld, albeit a more restrained and less hedonistic version than their Trainspotting-assisted commercial heyday
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  7. 7.0 |   Spin

    Underworld is freed up to focus on crafting memorable tunes that hark back to their electronica heyday, as well as more personal, coherent lyrics
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  8. 7.0 |   PopMatters

    Through reflection and repeated play, Barking will reveal its nuances
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  9. 6.5 |   Prefix

    Barking’s final act doesn’t totally sully the rest of the record, which proves that these elder statesmen of electronica still have some bite in them after all
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  10. 6.0 |   Q

    Print edition only

  11. 6.0 |   Daily Telegraph

    Varies wildly between cheesy dance anthems and chunkier drum ’n’ bass
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  12. 6.0 |   Rave Magazine

    Those with their heads still stuck in the ‘90s will have some good driving music for the summer
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  13. 6.0 |   Consequence Of Sound

    You could probably listen to some older Underworld records and feel much more satisfied
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  14. 6.0 |   musicOMH

    It's tempting to think that if all nine tracks had been produced by Paul van Dyk then this would have been an instant classic
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  15. 6.0 |   The Independent

    Underworld confine experimentation on Barking mostly to dancefloor electronica, by collaborating with like-minded operators in techno, drum'n'bass and dubstep
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  16. 6.0 |   AU Review

    The edge of old may have deserted them, but what have they left to prove?
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  17. 6.0 |   Drowned In Sound

    Barking is hit-and-miss, and with Underworld's collaborative partners each featuring on multiple tracks, it is hard to know who exactly to give credit to and who lay the blame on
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  18. 6.0 |   Scotland on Sunday

    Boundaries are no longer being pushed, but Underworld extend their sell-by date as a result
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  19. 5.9 |   Pitchfork

    Barking inhabits an odd place: half-dolorous electro-pop, half-affirming sunnyside jams
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  20. 5.0 |   NME

    There are time-warping forays into bland house, formulaic drum’n’bass and (shudder) chill-out music. Remember that? No? Good
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  21. 4.0 |   The Scotsman

    Underworld with their gas at a peep, neither satisfying as soundscape sculptors nor as banging tunesmith
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