1 July 2025
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Debut album of electropop from band fronted by Eliot Sumner, the daughter of Sting and Trudie Styler
5.5
She has her old man's way with a tune. Print edition only
I Blame Coco has come up trumps, succeeding in spite of her parentage Read Review
Coco's is a distinctive style which has produced some real gems, and this album is recommended listening Read Review
Sullen synth-pop with husky, La Roux-style vocals. Print edition only
Print edition only
It doesn't put her head and shoulders above the many other female singer-songwriters kicking around at the moment, but it definitely sets her apart from them Read Review
Although the album doesn’t quite ignite, Sumner’s innate talent shines through Read Review
The album ends up feeling oddly flat. We are left with a sense of excitement unfulfilled Read Review
Is still better that anything Sumner's pater familias has knocked out in decades Read Review
Whilst her vocals reveal a husky, sensual talent the staid dynamics of many of the songs reduces it to a saving grace Read Review
She seems destined to be known firstly for who her father is and only secondly for her own artistic achievements Read Review
Wishy-washy pop in a voice that sounds spookily like your dad with A-ha as his backing band Read Review
Essentially a mildly promising debut by an artist who can write a tune but not yet with any great distinction Read Review
Predictably pristine, ultimately inessential Read Review
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I Blame Coco: The Constant
Loyle Carner hopefully!
The sounds are slightly different here than on previous albums and his tentative sojourn into singing is a success because his voice connects as easily as his rapping does Albumism
Lorde Virgin
Lorde trades in her secrecy and mystique for a tremendously healing, desperately relatable record that cements her mark as her generation’s defining artist Northern Transmissions
On the uncomfortable paths of the 28-year-old’s fourth album, slam-dunk bangers are substituted with reinvention and restraint surrendered through hushed, reflective, and carnal synth-pop vestiges Paste Magazine
The New Zealand pop star chips away to reveal her purest self on her fourth album NME
For Lorde, it's an opportunity to reclaim something she thought she had lost long ago, but has always been within her: her true self Exclaim
Frankie Cosmos Different Talking
Different Talking introduces some novel elements to the Frankie Cosmos sound, but despite that, their core identity remains intact Spectrum Culture
U.S. Girls Scratch It
Musically Scratch It will probably be the least memorable in U.S Girls’ discography and aside from ‘Like James Said’ and ‘Bookends‘, the relatively thrill-less album does sort of fly by unnoticeably, made worse by the weak closing track No Fruit God Is In The TV
Lorde may not break entirely new ground on fourth album Virgin, but its warmth and texture make it consistently compelling and quietly brilliant The Skinny
yeule Evangelic Girl Is A Gun
A sun-drenched pop album — perhaps the pop record of the summer Under The Radar
The album is a hesitant step in the right direction for the singer Slant Magazine
Virgin is Lorde at her best yet as an affective poet and, frustratingly, at her most tamed as a digital sound designer The Line Of Best Fit
The New York band’s sixth LP feels like a scaled-up team effort. The newly expansive sound suits Greta Kline’s hard-won self-knowledge Pitchfork
Lorde’s fourth album returns to the digital, physical sound of Melodrama. While rooted somewhat in her past, it’s a gritty, tender, and often transcendent ode to freedom and transformation Pitchfork
Her fourth album celebrates the messiness of being human – and is also her most compelling and revealing musicOMH
BC Camplight A Sober Conversation
It’s perhaps the finest release of his career from start to finish, and that’s beating some stiff competition Far Out
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Spiritbox Tsunami Sea
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Self Esteem Prioritise Pleasure
Bob Dylan Rough and Rowdy Ways
Nick Cave And The Bad Seeds Skeleton Tree
Frank Ocean Channel Orange