26 May 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
Browse specific styles
Fifth studio album of indie rock from the Kansas City five-piece and first since they reformed in 2008
5.6
Represents experimentation and growth from a talented, maturing band, and it’s a worthy addition to the music collection of any ardent emo fan Read Review
Listeners who dismissed the Kids in the past as overwrought emo drivel might actually find things to like this time around Read Review
Revisits the raw, yet melodic sound of their classic debut, liberally sprinkled with gorgeous vocal harmonies and pop hooks Read Review
By breaking the rules of what they were supposed to sound like, they've given themselves a second bite of the cherry Read Review
For once this is a re-union not just trading on old glories Read Review
A plethora of bittersweet singalong choruses as well as the odd curve-ball, like the synth-and-phaser heavy Automatic Read Review
Back at their corrosive best. Print edition only
An inherently youthful band gracefully making good into their thirties. Print edition only
The truly surprising moments come via electronic flourishes that show up throughout the record Read Review
A just-all-right record from a band that always felt a step behind even in their own genre Read Review
It’s hard to truly love an album that tries this hard Read Review
Matthew Pryor's bellowing sneer still cuts, but nothing can cover up the hookless, by-the-numbers weakness of the materia Read Review
They've neglected to include anything memorable on it. Print edition only
Knowing what this band is capable of, its hard to shake the sad feeling that perhaps they should have just stayed broken up Read Review
Sounds like the product of a band that knows well where it’s been, but can’t quite figure out yet where it wants to go Read Review
There Are Rules aims for an aggressive aesthetic, but it ends up as mostly empty bluster as the Get Up Kids tries to put their pieces back together Read Review
Roll over video for more options
The Get Up Kids: There Are Rules
Ed O’Brien Blue Morpho
‘Blue Morpho’ offers a reminder that, as he and his other bandmates have repeatedly proved, O’Brien boasts a wholly-uninhibited approach to how rock and pop music is arranged, resulting in works that move and grow like the building blocks of life itself Clash
Kevin Morby Little Wide Open
Represents a musical homecoming for Morby to the Americana that is central to much of his work No Ripcord
Lykke Li The Afterparty
On a purportedly final album, the Swedish electro-pop singer’s disenchantment takes shape around sparkling synth and light-touch disco beats Pitchfork
Paul McCartney The Boys of Dungeon Lane
A richly nostalgic trip that proves this legend is still as creative as ever Rolling Stone
Tori Amos In Times Of Dragons
Her vocals have rarely sounded better. A husky tone has slowly emerged, giving her a Patti Smith croon to her words of scorn. Anyone who has followed Amos’ career to date will relish this addition to her cannon. It might, hopefully, attract new fans too Under The Radar
Full of wonder, full of creativity, and possibility, fully realized and here for our delight. Like the album as a whole this is a truly excellent piece. It features lyrics full of thankfulness as we “feel the grace in all of life, thank you for this time.” What a great note to end a special album on Under The Radar
The Coral 388
By the time the rocksteady sway of “Spirit Catcher” and the effortless pop beauty of “Crossing The Sands” close the album, The Coral seem firmly back in the swing of creating music again. Hiatus done and dusted XS Noize
Every choppy guitar line and snaking Hammond or Farfisa lick form hooks in their own right The Arts Desk
By reconnecting with their past, The Coral have found the essence of who they are now - and it's pretty magical Mojo
It's an utter delight, an album that touches on all those influences [rocksteady, doo wop, soul, ska and 2-Tone] but still sounds like nothing but The Coral. Print edition only Record Collector
It’s a lucky number thirteen for fans – The Coral remain a band to cherish Clash
Despite an unorthodox release pattern that harks back to an era before streaming, the Wirral outfit's 13th album is one of their most accessibl musicOMH
Broken Social Scene Remember The Humans
While Remember the Humans aims to recapture something of vintage Broken Social Scene, the key aspects of their old sound simply can’t be reproduced by this version of the band Spectrum Culture
The singer/songwriter makes a valiant pivot into rock, though he lacks the backbone, grit and conviction to make it work Spectrum Culture
The guitarist’s second solo outing – but first under his actual name – offers mindfulness via a widescreen prog-folk trip NME
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways