1 July 2025
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Second album of drum'n'bass from London duo Saul Milton and Will Kennard
5.8
I've no idea who's responsible for the African rap on "No Problem, which opens Chase and Status's album, but he deserves the kind of star billing given here to the likes of Plan B and Dizzee Rascal Read Review
A whirlwind of an album, one that smashes together a hundred genres, from trance to grime, hip hop to indie rock, always keeping the listener on their toes Read Review
Sees them knocking off genres like ram-raiders. Print edition only
While brutally impressive, if it's subtlety you're seeking, look elsewhere. Print edition only
The greatest part of No More Idols amounts to a series of riffs, builds, bass wobbles and drum programming lashed together with a vocalist clinging on to the top of the wreckage Read Review
Aggressive, urban beats of a particularly British persuasion Read Review
Combines ballistic rave pop with tougher bass-laden sounds and is an effectively youthful update on the Prodigy’s formula Read Review
It’s alright and will shift units: boundaries will rest easy however Read Review
You can see why America might come calling – it takes perhaps the least interesting aspect of modern R&B and puts an intriguing new spin on it Read Review
Despite the above spirited efforts, NMI is still very much a mixed bag Read Review
If you can't make a dance record that gets people to dance in the first place, then it has failed in its objectives Read Review
The most offensive sub-music since Kosheen Read Review
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Chase And Status: No More Idols
Loyle Carner hopefully!
The sounds are slightly different here than on previous albums and his tentative sojourn into singing is a success because his voice connects as easily as his rapping does Albumism
Lorde Virgin
Lorde trades in her secrecy and mystique for a tremendously healing, desperately relatable record that cements her mark as her generation’s defining artist Northern Transmissions
On the uncomfortable paths of the 28-year-old’s fourth album, slam-dunk bangers are substituted with reinvention and restraint surrendered through hushed, reflective, and carnal synth-pop vestiges Paste Magazine
The New Zealand pop star chips away to reveal her purest self on her fourth album NME
For Lorde, it's an opportunity to reclaim something she thought she had lost long ago, but has always been within her: her true self Exclaim
Frankie Cosmos Different Talking
Different Talking introduces some novel elements to the Frankie Cosmos sound, but despite that, their core identity remains intact Spectrum Culture
U.S. Girls Scratch It
Musically Scratch It will probably be the least memorable in U.S Girls’ discography and aside from ‘Like James Said’ and ‘Bookends‘, the relatively thrill-less album does sort of fly by unnoticeably, made worse by the weak closing track No Fruit God Is In The TV
Lorde may not break entirely new ground on fourth album Virgin, but its warmth and texture make it consistently compelling and quietly brilliant The Skinny
yeule Evangelic Girl Is A Gun
A sun-drenched pop album — perhaps the pop record of the summer Under The Radar
The album is a hesitant step in the right direction for the singer Slant Magazine
Virgin is Lorde at her best yet as an affective poet and, frustratingly, at her most tamed as a digital sound designer The Line Of Best Fit
The New York band’s sixth LP feels like a scaled-up team effort. The newly expansive sound suits Greta Kline’s hard-won self-knowledge Pitchfork
Lorde’s fourth album returns to the digital, physical sound of Melodrama. While rooted somewhat in her past, it’s a gritty, tender, and often transcendent ode to freedom and transformation Pitchfork
Her fourth album celebrates the messiness of being human – and is also her most compelling and revealing musicOMH
BC Camplight A Sober Conversation
It’s perhaps the finest release of his career from start to finish, and that’s beating some stiff competition Far Out
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Spiritbox Tsunami Sea
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Self Esteem Prioritise Pleasure
Bob Dylan Rough and Rowdy Ways
Nick Cave And The Bad Seeds Skeleton Tree
Frank Ocean Channel Orange