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			9.0
			1176
			
				9.0 |  
				musicOMH
			
			
				Don't Stop is one of the best pop albums of 2009. Sure, it should have been one of the best pop albums of 2008, but these things happen for a reason, and the extra time was used wisely
				
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			8.0
			1177
			
				8.0 |  
				NME
			
			
				Print edition onlyWith a record this good, how could a boy bring her down? True to form, on ‘Heaven And Hell’, Annie sings “Tell me, tell me what did I do wrong?/Oh baby, I am perfect”. Attagirl
				
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		- 
			8.0
			1178
			
				8.0 |  
				Uncut
			
			
				Print edition only
				
				
			
		 
		
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			8.0
			1179
			
				8.0 |  
				The Quietus
			
			
				Don't Stop might be wilfully critic-friendly, but it's also out'n'out music for the masses; probably still unlikely to connect with a populace happy to make do with Akon and Jason Mraz, obviously, but an absolute triumph in every other sense
				
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		- 
			8.0
			5622
			
				8.0 |  
				The Irish Times
			
			
				Don’t Stop is full of playful, giddy, infectious and inventive sounds and fabulous melodies
				
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		- 
			8.0
			5954
			
				8.0 |  
				The Guardian
			
			
				It's a delightful confection, filled with attention to detail and perfectly turned – and deserving of your attention
				
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		- 
			8.0
			6777
			
				8.0 |  
				Blurt
			
			
				...it's the production that elevates Annie's relatively weak vocals. But hey, if Madonna could do it, why can't Annie?
				
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		- 
			7.2
			6623
			
				7.2 |  
				Pitchfork
			
			
				...there is more than enough excellent material here to customize your own version of the record, slip your favorite tracks into a playlist, or you know, listen exactly as Annie intends
				
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			7.0
			6625
			
				7.0 |  
				PopMatters
			
			
				All tracks considered, Annie makes a significant step forward with Don’t Stop. That step that might have taken awhile to hit the floor, but was well placed when it did
				
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			7.0
			8398
			
				7.0 |  
				Rave Magazine
			
			
				With so many different talents vying for attention, Don’t Stop is a mixed affair, but when it’s good, it’s really good
				
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			6.0
			6501
			
				6.0 |  
				Eye Weekly
			
			
				Her songs are not complex; often the titles are repeated ad nauseum while driving techno beats and ’80s-pop synths burn into your brain
				
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		- 
			6.0
			1180
			
				6.0 |  
				Q
			
			
				Print edition only
				
				
			
		 
		
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			4.0
			7059
			
				4.0 |  
				Tiny Mix Tapes
			
			
				At its low points, Don’t Stop has Annie sounding like a clubbier Avril Lavigne. At its best, it channels the aloof, eccentric charm of acts like The Knife and Sally Shapiro
				
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