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Propeller Versus Wings

Zoey Van Goey

Propeller Versus Wings

Second album from the Glasgow-based indie pop quartet produced by Paul Savage

ADM rating[?]

6.1

Label
Chemikal Underground
UK Release date
14/02/2011
US Release date
15/02/2011
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  1. 8.0 |   The Skinny

    They echo early Camera Obscura and the sorely-missed Delgados, while also helping ZVG stamp their own name on Scottish indie-pop with equally persistent ink
    Read Review

  2. 8.0 |   All Music

    ZVG's chief calling card is their highly personable singing, especially Kim Moore's girlishly sweet soprano and Matt Brennan's warm, rich baritone
    Read Review

  3. 6.0 |   The Scotsman

    Although their default is still winsome, bittersweet kitchen-sink tales in the Belle and Sebastian mould, they also bash out some angular indie jangle
    Read Review

  4. 6.0 |   Q

    Indie-pop fuzz and fist-pumping choruses. Print edition only

  5. 5.0 |   The Line Of Best Fit

    The tracks dash urgently from one style to another, paying no mind to the sanity of the listener nor the coherency of the release
    Read Review

  6. 5.0 |   Rave Magazine

    It’s all just rather boring
    Read Review

  7. Back to main chart

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Zoey Van Goey: Propeller Versus Wings

  • Download full album for just £8.49
  • 1. Mountain On Fire £0.99
  • 2. The Cake And Eating It £0.99
  • 3. Sackville Sun £0.99
  • 4. My Aviator £0.99
  • 5. Escape Maps £0.99
  • 6. You Told The Drunks I Knew Karate £0.99
  • 7. Little Islands £0.99
  • 8. Extremities £0.99
  • 9. Robot Tyrannosaur £0.99
  • 10. Another Day Another Disaster £0.99
  • 11. Where It Lands £0.99
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Latest Reviews

Loyle Carner  hopefully!

The sounds are slightly different here than on previous albums and his tentative sojourn into singing is a success because his voice connects as easily as his rapping does Albumism

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Lorde trades in her secrecy and mystique for a tremendously healing, desperately relatable record that cements her mark as her generation’s defining artist Northern Transmissions

Lorde  Virgin

On the uncomfortable paths of the 28-year-old’s fourth album, slam-dunk bangers are substituted with reinvention and restraint surrendered through hushed, reflective, and carnal synth-pop vestiges Paste Magazine

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