26 May 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Third album from the Dundee indie rock quartet
5.4
Where The View’s ambition gels seamlessly with their ability and strengths, and magic results Read Review
The emphasis here is on gargantuan choruses. Print edition only
The View have restored much of their early promise as an excellent rock band – but it may be too little, too late Read Review
Cathartic and lovely, Bread And Circuses is pure self-indulgent fun Read Review
There's too much on here ... which sees the band sound as edgy as - gulp - McFly Read Review
There are moments when they descend into pub-rock territory – on Grace and Beautiful, in particular – but overall it's solid, well-written and anthemic Read Review
They show applaudable ability to strike a balance between radio-friendliness and ingenuity Read Review
[They still come] across as essentially the same gang of mates who get wasted, have their feelings trampled by girls, heal over a bonding bevvy with their mates, then wake up with a hangover and begin the whole cycle again Read Review
A fairly generic sounding list of songs that could have been written by anyone who knows how to strum a guitar Read Review
It seems they’re stuck in a musical no man’s land, with this record neither progressing them further nor leading them off in any new thrilling direction Read Review
The overall effect is like being trapped in a lift with McFly on a sugar-rush. Print edition only
The View's handicap is the sheer lumpen ordinariness of their songwriting. Print edition only
It’s largely an inability to shake off the annoying nuances of their past records that let this LP down Read Review
Come the looming revolution, everyone responsible for this fetid excretion will get their time against the wall Read Review
The View: Bread And Circuses
Ed O’Brien Blue Morpho
‘Blue Morpho’ offers a reminder that, as he and his other bandmates have repeatedly proved, O’Brien boasts a wholly-uninhibited approach to how rock and pop music is arranged, resulting in works that move and grow like the building blocks of life itself Clash
Kevin Morby Little Wide Open
Represents a musical homecoming for Morby to the Americana that is central to much of his work No Ripcord
Lykke Li The Afterparty
On a purportedly final album, the Swedish electro-pop singer’s disenchantment takes shape around sparkling synth and light-touch disco beats Pitchfork
Paul McCartney The Boys of Dungeon Lane
A richly nostalgic trip that proves this legend is still as creative as ever Rolling Stone
Tori Amos In Times Of Dragons
Her vocals have rarely sounded better. A husky tone has slowly emerged, giving her a Patti Smith croon to her words of scorn. Anyone who has followed Amos’ career to date will relish this addition to her cannon. It might, hopefully, attract new fans too Under The Radar
Full of wonder, full of creativity, and possibility, fully realized and here for our delight. Like the album as a whole this is a truly excellent piece. It features lyrics full of thankfulness as we “feel the grace in all of life, thank you for this time.” What a great note to end a special album on Under The Radar
The Coral 388
By the time the rocksteady sway of “Spirit Catcher” and the effortless pop beauty of “Crossing The Sands” close the album, The Coral seem firmly back in the swing of creating music again. Hiatus done and dusted XS Noize
Every choppy guitar line and snaking Hammond or Farfisa lick form hooks in their own right The Arts Desk
By reconnecting with their past, The Coral have found the essence of who they are now - and it's pretty magical Mojo
It's an utter delight, an album that touches on all those influences [rocksteady, doo wop, soul, ska and 2-Tone] but still sounds like nothing but The Coral. Print edition only Record Collector
It’s a lucky number thirteen for fans – The Coral remain a band to cherish Clash
Despite an unorthodox release pattern that harks back to an era before streaming, the Wirral outfit's 13th album is one of their most accessibl musicOMH
Broken Social Scene Remember The Humans
While Remember the Humans aims to recapture something of vintage Broken Social Scene, the key aspects of their old sound simply can’t be reproduced by this version of the band Spectrum Culture
The singer/songwriter makes a valiant pivot into rock, though he lacks the backbone, grit and conviction to make it work Spectrum Culture
The guitarist’s second solo outing – but first under his actual name – offers mindfulness via a widescreen prog-folk trip NME
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways