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8.5
28554
8.5 |
BBC
A great album on its own terms, and truly remarkable given how close it presumably came to never being made
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8.0
27385
8.0 |
The Skinny
Banjo, fiddle and overdriven guitar comprise the bulk of the sound, which is characterised by sparse, spacious atmospheres, occasionally building to raucous crescendos
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8.0
27674
8.0 |
musicOMH
An album that moves on their sound and represents a small triumph over personal adversity
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7.9
27168
7.9 |
Pitchfork
Unclassifiable in the same way records by northern contemporaries Beirut and Man Man are unclassifiable
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7.5
27164
7.5 |
Bowlegs
The songs speak of life and death, and the musicians back up the emotions with inventive and forever-changing structures
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7.5
27172
7.5 |
The 405
For those more overcast days where all you want is a refreshing break from the saccharine of summer hits
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7.0
28886
7.0 |
Drowned In Sound
It’s O’Death’s most accomplished work to date, and a fine piece of work at that
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7.0
27167
7.0 |
Consequence Of Sound
Their third and most consistent album of gothic-tinged Americana
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7.0
27159
7.0 |
No Ripcord
By mixing in a few lighter moments amongst all the dark the band do give the impression that they are on the way to becoming something quite special
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7.0
27163
7.0 |
PopMatters
The incessant death and destruction can take a toll on the listener, especially when the songs lack the wild energy that made Broken Hymns so memorable
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7.0
27976
7.0 |
The Quietus
There are complications and layers to Outside that give O'Death new dimensions
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6.0
27170
6.0 |
All Music
With any hints of gypsy-punk swept aside, the pace is down-shifted as the five-piece sticks to rural, minor chord banjo ballads with sweeping arrangements
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