26 May 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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The Glasgow six-piece with a 2nd album of fast and furious pop-punk which they label "fight pop"
6.6
This is a fun indie pop record that will not change anyone's lives but will get you bouncing off walls very easily Read Review
This feels entirely progressive without losing any of the band’s endearing ethos of injecting energy and fun into every track Read Review
Another knock-out blow Read Review
The major achievement of this record is the broadening of Dananananaykroyd’s sound, prising it clear of the numerous shouty young bands to have followed their lead Read Review
A heavier and more robust band incarnation Read Review
Despite the name producer and more straightforward sonics they’re still the same band – battering ram bouncy, bizarre, brilliant Read Review
A clearly accomplished record Read Review
Fiery, fun and more interesting than your average guitar-wielding indie band Read Review
Despite its lack of groundbreaking songwriting, the overall experience is pure excitement and suggests that they’ll be unmissable live Read Review
An ear-splittingly good record which will force its way into your brain... whether you want it to or not! Read Review
Expands the normally spiky guitar lines into something genuinely wonderful Read Review
Print edition only
They rarely utilise traditional verse-chorus dynamics, instead focusing on slashing, elliptical riffs, sharp left turns and quiet breakdowns Read Review
More of a squabble than a Glaswegian bar brawl! Read Review
The band’s songwriting is more restrained and conventional, but always high octane – they scream overwhelmingly through the whole album without really letting you pause for breath Read Review
They've lost some of their endearing quirks. Print edition only
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Dananananaykroyd: There Is a Way
Ed O’Brien Blue Morpho
‘Blue Morpho’ offers a reminder that, as he and his other bandmates have repeatedly proved, O’Brien boasts a wholly-uninhibited approach to how rock and pop music is arranged, resulting in works that move and grow like the building blocks of life itself Clash
Kevin Morby Little Wide Open
Represents a musical homecoming for Morby to the Americana that is central to much of his work No Ripcord
Lykke Li The Afterparty
On a purportedly final album, the Swedish electro-pop singer’s disenchantment takes shape around sparkling synth and light-touch disco beats Pitchfork
Paul McCartney The Boys of Dungeon Lane
A richly nostalgic trip that proves this legend is still as creative as ever Rolling Stone
Tori Amos In Times Of Dragons
Her vocals have rarely sounded better. A husky tone has slowly emerged, giving her a Patti Smith croon to her words of scorn. Anyone who has followed Amos’ career to date will relish this addition to her cannon. It might, hopefully, attract new fans too Under The Radar
Full of wonder, full of creativity, and possibility, fully realized and here for our delight. Like the album as a whole this is a truly excellent piece. It features lyrics full of thankfulness as we “feel the grace in all of life, thank you for this time.” What a great note to end a special album on Under The Radar
The Coral 388
By the time the rocksteady sway of “Spirit Catcher” and the effortless pop beauty of “Crossing The Sands” close the album, The Coral seem firmly back in the swing of creating music again. Hiatus done and dusted XS Noize
Every choppy guitar line and snaking Hammond or Farfisa lick form hooks in their own right The Arts Desk
By reconnecting with their past, The Coral have found the essence of who they are now - and it's pretty magical Mojo
It's an utter delight, an album that touches on all those influences [rocksteady, doo wop, soul, ska and 2-Tone] but still sounds like nothing but The Coral. Print edition only Record Collector
It’s a lucky number thirteen for fans – The Coral remain a band to cherish Clash
Despite an unorthodox release pattern that harks back to an era before streaming, the Wirral outfit's 13th album is one of their most accessibl musicOMH
Broken Social Scene Remember The Humans
While Remember the Humans aims to recapture something of vintage Broken Social Scene, the key aspects of their old sound simply can’t be reproduced by this version of the band Spectrum Culture
The singer/songwriter makes a valiant pivot into rock, though he lacks the backbone, grit and conviction to make it work Spectrum Culture
The guitarist’s second solo outing – but first under his actual name – offers mindfulness via a widescreen prog-folk trip NME
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways