- 
			8.0
			27991
			
				8.0 |  
				A.V. Club
			
			
				Easily one of the best things he’s ever recorded
				
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		- 
			8.0
			28224
			
				8.0 |  
				Clash
			
			
				A fine document of why Wiley was, is, and will continue to be such a cornerstone of the grime scene
				
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		- 
			8.0
			28231
			
				8.0 |  
				BBC
			
			
				Once again he’s kept grime moving forwards with some truly audacious sounds
				
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		- 
			8.0
			28419
			
				8.0 |  
				musicOMH
			
			
				Continues to keep the genre travelling at an impressively quick speed
				
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		- 
			8.0
			28274
			
				8.0 |  
				The Guardian
			
			
				He may frustrate those who fixate on his commercial potential – but few others will want him to change
				
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		- 
			8.0
			28324
			
				8.0 |  
				Evening Standard
			
			
				He's at the peak of his game
				
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		- 
			7.5
			28883
			
				7.5 |  
				Pitchfork
			
			
				Wiley wasn't always the slickest-flowing rapper, but if there's one part of his game that's really stepped up, it's his relationship with his own beats
				
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		- 
			7.0
			29362
			
				7.0 |  
				DIY
			
			
				First single ‘Numbers in Action’ is a masterclass in rhythmic delivery over irrepressibly bouncing beats
				
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		- 
			7.0
			28463
			
				7.0 |  
				The Line Of Best Fit
			
			
				Wiley remains one of the UK’s compelling showmen
				
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		- 
			7.0
			28542
			
				7.0 |  
				NME
			
			
				Complex and slightly schizophrenic, ‘100% Publishing’ is a winner
				
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		- 
			7.0
			28698
			
				7.0 |  
				Drowned In Sound
			
			
				 This unrelenting originality at least is something to be celebrated
				
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		- 
			7.0
			28392
			
				7.0 |  
				Independent on Sunday
			
			
				It doesn't always hit the spot, but at least he's firing at more interesting targets than the usual renta-rapper
				
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		- 
			6.0
			28867
			
				6.0 |  
				The Irish Times
			
			
				Cowie’s astute wordplay and knack for a strong, hooky beat continue to be blanked by the masses despite the fun to be had on Your Intuition and To Be Continued
				
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		- 
			6.0
			27992
			
				6.0 |  
				The Skinny
			
			
				The highlights are equal to his best tracks from his 2004 debut and 2007's Playtime Is Over, but some of the more commercial experiments fail to pay off
				
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		- 
			6.0
			29967
			
				6.0 |  
				AU Review
			
			
				Whilst part-timers like Dizzee Rascal and Chipmunk bask in the hollow glow of showbiz, Wiley – illuminated only by the sodium vapour glare of the streets – is keeping it real
				
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		- 
			6.0
			30163
			
				6.0 |  
				PopMatters
			
			
				Going boldly independent to make a record that sounds suspiciously like his label-affiliated albums
				
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		- 
			6.0
			31222
			
				6.0 |  
				No Ripcord
			
			
				Isn’t anything like the masterpiece it has the potential to be
				
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		- 
			6.0
			28941
			
				6.0 |  
				Uncut
			
			
				Print edition only
				
				
			
		 
		
		- 
			6.0
			28946
			
				6.0 |  
				Q
			
			
				It's good to have him back. Print edition only
				
				
			
		 
		
		- 
			6.0
			28978
			
				6.0 |  
				Mojo
			
			
				Brimming with energy and ideas. Print edition only
				
				
			
		 
		
		- 
			4.0
			28264
			
				4.0 |  
				The Independent
			
			
				Wiley struggles to bring interest or insight to his workaday observations
				
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		- 
			4.0
			28386
			
				4.0 |  
				The Observer
			
			
				Let down by lazy choruses and weirdly mundane lyrics
				
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