23 February 2012
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 publications. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Tracks the critics are loving: read then listen
" Night in the Ocean is the fulcrum upon which the set rests, a great four minutes" BBC
Listen on SpotifyListen on grooveshark
" One of the album's obvious standouts, with beautifully harmonized vocals" Pitchfork
" It would be a hard heart indeed not to fall for music as lovely as this" This Is Fake DIY
" Standout track Blaze Up A Fire is an intense but understated response to the riots that rocked the UK " The Skinny
" A rousing, pleasing stomp, comprising this album's answer to previous 'hits'" BBC
" Somebody I Used To Know is an infinitely relistenable ode" music OMH
" The title track is the undoubted highlight ... it sets the bar high" music OMH
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Ethereal 60s influenced indie pop / dream pop on the debut album from the London band
7.3
Feels like a train that has been diverted off down a strange and enchanting branch line by mistake...taking in some magical scenery that might have come from the imagination of Tim Burton Read Review
Creatures of an Hour unveils its dramas and beauty with slow, stately elegance and panache, like scenes from a smokey black-and-white French New Wave flick Read Review
This is a fine debut album. Tessa Murray's voice is gorgeously fragile and the backdrop will lift you out of encroaching grim winter evenings Read Review
Several changes in personnel, notably the addition of Tessa Murray on vocals, have brought a new found depth and austerity omnipresent across all of Creatures Of An Hour's ten delightful tracks Read Review
A compelling first stab at record-making Read Review
They've created a world far beyond their monochrome-tinged performances Read Review
The album flows from start to finish, from the old and through the new. It may feel a bit slow-burning at times for some but given the time, it all pieces together Read Review
Moments of murky brilliance are peppered throughout, artfully blending half-remembered music-box melodies from a forgotten age which have decayed and distorted over time Read Review
This is a debut of atmospheric beauty that could be the start of something very special Read Review
This delicate, atmospheric music is an intriguing take on the dream pop canon; sparse and elegantly vexing, it's a fitting record to accompany the shortening days Read Review
A woozy concoction of hypnotic flickers and off-kilter squalls Read Review
Uncomplicated, subtle but memorable songwriting that might well have been played and recorded in a bedroom studio on Holloway Road Read Review
Delicate but far from twee, it opearates with the stealth of a panther in shadow Read Review
Creatures of an Hour is top-heavy: the early-sequenced "Cuckoo" and "Endless Summer" are the record's incontestable highlights Read Review
Still Corners prove that they can progress beyond this ubiquitous predilection for visual evocation Read Review
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Still Corners: Creatures of an Hour
Windy and Carl We Will Always Be
Let the sparse waves wash over and the true soul of the music will slowly emerge The Digital Fix
Despite the familiarity of the sonic landscape explored here, however, Windy and Carl are evidently still excavating valuable finds The Skinny
Windy and Carl are the ambient music world's version of old bluesmen who have been masters of their craft for decades and refined it to a point of utmost precision Prefix
This is as impressive as any of their releases The 405
Executed with openness and sincerity, making it feel as if the usual barriers between audience and performer simply aren't there Pitchfork
There is a beauty to experiencing love that overwhelms the heart. Windy & Carl seem to aim to replicate that overwhelming sensation through their music Beats Per Minute
If you take an interest in ambient music, drone rock or related quasi-genres, it behoves you to own some of Windy and Carl’s catalogue; this is as useful and high quality a starting point as just about anything they’ve recorded Drowned In Sound
Seekae Dome
A semi-regulated torrent of live loops and samples. Print edition only NME
Skrillex Bangarang
Skrillex lacks anything beyond the bleeding obvious. Print edition only NME
Memoryhouse The Slideshow Effect
Mostly glowers in a dismally cloying, precious nostalgia. Print edition only NME
School of Seven Bells Ghostory
None of it even scratches the arse of 'euphoric' - once their forte. Print edition only NME
Fanfarlo Rooms Filled with Light
Large Hadron pop that'll frazzle yer neurons. Print edition only NME
Lambchop Mr M
If this really is to be Lambchop's final album, it's an undeniably lovely one. Print edition only NME
The Ting Tings Sounds From Nowheresville
It sounds a little bereft of ideas, and way too short. Print edition only NME
Nada Surf The Stars Are Indifferent To Astronomy
If you keep your expectations more fluid and enjoy it for what it is, rather than what you think it should be, then you may find enough to appreciate This Is Fake DIY
What's finding favour with bloggers & other review sites
The Twilight Sad No One Can Ever Know
Field Music Plumb
The Black Keys El Camino
First Aid Kit The Lion's Roar
Django Django Django Django
An impressive 7.6 rating for the 5th album of electronica-influenced pop from the Norwegian singer-songwriter. All but one review is an 8/10 rating, with The Fly calling it "a masterclass in sinister soundscapes"
Since we've been around, that is. So, the highest-rated albums from the past three years or so
Anaïs Mitchell Hadestown
Kanye West My Beautiful Dark Twisted Fantasy
PJ Harvey Let England Shake
Ry Cooder Pull Up Some Dust And Sit Down
Arcade Fire The Suburbs
Tom Waits Bad As Me
Janelle Monáe The ArchAndroid
Joanna Newsom Have One On Me
Gillian Welch The Harrow & The Harvest
Animal Collective Merriweather Post Pavilion