24 March 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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The Rhode Island quartet reference their hometown in the title of this, their third alt.country release
6.5
A celebration of music by a band who likes nothing more than to have a good time—and what is more respectable than that? Read Review
Served with such a knowing grin you can't help but love it. Print edition only
Deer Tick’s members act like kids, but Divine Providence is best when they sound like full-grown men Read Review
The group's best album to date Read Review
A set of howling rockers Read Review
Divine Providence is the Deer Tick we’ve always known was behind the chugging, 90 proof country rock Read Review
Setters of trends, they will not be, with this offering. Providers of mindless, chaotic R&R, they most certainly can be Read Review
Overall, their aim to harness their live show appears to be a success, especially on the more rabble-rousing and downright fun bar-side calls to arms that pepper the album Read Review
At their best, Deer Tick deliver a timely reminder that fun doesn’t necessarily have to translate into a shortage of substance Read Review
They may have taken the easy way by leaving depth and emotional subtlety aside, but the brainless night bar rock n’ roll they’re playing on Divine Providence is not something to be ashamed of Read Review
The problem with Divine Providence isn’t that it is bad, because it really isn’t, in fact, I would go as far to say that it is a good album. The problem is that listening to it is like watching the high school dance scene out of Back To The Future Read Review
Divine Providence isn’t about God being amongst us; it’s about being proud of where you came from. So grab a beer or a bottle of Jack (or both) and let Deer Tick entertain you for an hour Read Review
Divine Providence apparently isn't a realm for the faint of heart, but those with the verve to vent their all may find it a welcome retreat Read Review
Self-absorbed and even downright hateful Read Review
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Deer Tick: Divine Providence
Ladytron Paradises
Ladytron have produced an album that, from its inception, sought to invoke the same spirit that the band had 25 years ago Far Out
Gorillaz The Mountain
The strongest case in years that Gorillaz can still make records that matter as records Dork
Kim Gordon Play Me
'Play me' doesn’t try to comfort. It tries to provoke, energise and outlast the scroll Dork
The Orielles Only You Left
These songs come from months of demo-hoarding and forensic listening, the band archiving every practice-room spark before lovingly picking through the results Dork
James Blake Trying Times
Blake sounds energised by the room he has carved out for himself Dork
Harry Styles Kiss All The Time. Disco, Occasionally.
This isn’t an album built like a straight line from hook to hook. It moves in waves, often favouring texture and atmosphere over immediate release Dork
Underscores U
It’s technical excellence as a musical product cannot be overstated. For a pop album to be this busy yet possess a pocket as deep and rich as underscores displays here is simply amazing Sputnik Music (staff)
Indie rock icon Kim Gordon acerbically wrestles with the state of the world over hip-hop and industrial beats on Play Me PopMatters
The former electro-pop enfant terrible swings big on her latest album, compressing all her split personalities and eclectic tastes into a high-gloss, high-stakes gamble to remake pop on her own terms Pitchfork
On U, she finds a clearly-defined, rounded-out identity in her music for the first time, and she delivers the most immediate and the most robust work of her career The Line Of Best Fit
Performing, writing and producing everything herself, April Grey pares back her hyperpop electronics for an LP in thrall to 90s pop-R&B, with songs that big stars would die for The Guardian
April Harper Grey’s latest hits all the beats of a classic pop record — a choreo-primed single, a power ballad, a post-breakup closure anthem — without overstaying its welcome Paste Magazine
A tour-de-force of production chops that cements April Harper Grey as a key auteur in the future of the genre NME
Alexis Taylor Paris In The Spring
Paris in the Spring is a gem of a record which, while never over-reaching its ambition, sparkles with electronic ingenuity as it takes in all seasons of human experience Spectrum Culture
It's a beautiful collection of genre-hopping songs. Print edition only Uncut
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways