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Everybody Get Close

The Juan MacLean

Everybody Get Close

Rarities, unreleased tracks and remixes on this collection from the influential electronica and techno producer and DFA cohort

ADM rating[?]

6.6

Label
DFA
UK Release date
14/11/2011
US Release date
24/10/2011
  1. 8.0 |   Uncut

    Feels like a perfectly focused set of retro-modernist dance. Print edition only

  2. 7.0 |   Drowned In Sound

    A mixed bag featuring some very lofty highs and a whole bunch of stuff that the world probably never cried out for, but will be more than happy to have gleaned as a result
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  3. 7.0 |   musicOMH

    While this may be something of a stopgap release while Maclean tries out a new venture or two, Everybody Get Close has plenty of dancefloor nouse, and is switched on to the rhythm throughout. Clearly the quality threshold is high in Maclean's house-hold
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  4. 7.0 |   Pitchfork

    A collection that both dimly mirrors Future and shows MacLean stretching into the production of more faceless but more functional dance tracks
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  5. 7.0 |   Spin

    Shows that there's more to John MacLean than his albums suggest
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  6. 7.0 |   Rave Magazine

    Until whatever Maclean does next, this is a good stopgap
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  7. 7.0 |   musicOMH

    Has plenty of dancefloor nouse, and is switched on to the rhythm throughout
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  8. 6.0 |   The Guardian

    With a retro feel nodding to Kraftwerk, the Human League, etc, the big grooves mostly deserve their wider hearing
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  9. 6.0 |   The Observer

    May be a stop-gap between Juan albums proper, but it doesn't feel like filler
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  10. 6.0 |   Mojo

    Print edition only

  11. 6.0 |   Q

    It's a less hybridised, more retro sound than LCD. Print edition only

  12. 6.0 |   PopMatters

    Though it suffers from the kind of inconsistency that usually plagues odd-and-ends collections, it does offer an adequate sampling of Maclean’s sound that suggests the steady evolution of MacLean’s sonic ideas
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The Juan MacLean: Everybody Get Close

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