7 January 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Third album of indie rock with touches of retro folk and psychedelia from the Montreal trio
5.8
Finds them sounding more mature and comfortable than ever before, signaling perhaps not an end at all, but rather a new beginning Read Review
Feels like something built with the intentions of making a grand statement, but it comes up a few great songs short Read Review
The album recaptures the nearly childlike zeal of the band’s debut, and the sense of the band discovering new sounds as they record these songs transfers to the listener on most every track Read Review
Whereas the band excels at both the gentle and the electric, it was the more eccentric accents that provided the necessary counterpoint. And while The End of That features more wonderful song craft, that counterpoint is sorely missed Read Review
It’s wise and at times gorgeous but ultimately still processing the past and not ready to take risks Read Review
Things get noisy on the giant rock, chord-smashing 2010, but it feels slowed by a sludge of mid-tempo maturity Read Review
The unyielding geniality of the music and slackjawed lyrics show a band either unwilling or unable to commit to its own emotional ballast Read Review
Never decide between Arcade Fire and classic rock again. But choose either over this pastiche Read Review
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Dry Cleaning Secret Love
Florence Shaw returns to her usual writerly concerns while expanding her methods of delivery The Skinny
The standout act in the sprechgesang wave, the four-piece’s newly expansive sound carries singer Florence Shaw’s distinctive tales of mundane lives spiralling out of control The Guardian
Armand Hammer & The Alchemist Mercy
On their second collaboration with The Alchemist, billy woods and E L U C I D refuse grand answers, turning instead to the quiet labor of endurance—attention, routine, and survival inside a world that won’t stop grinding Paste Magazine
The Lemonheads Love Chant
The band’s first album of original music in 20 years is an undeniably self-conscious comeback, manifesting the existential angst of middle age in sludgier-than-usual riffs, sudden switchups, and some of Evan Dando’s most self-reflective lyrics to date Pitchfork
Perfume Genius Glory
The album’s gestation was not easy, a bout of depression experienced during Covid dragging up old demons. But any sense of despair is marvellously braised with a searing wit Hot Press
Dijon Baby
The man has hits, but Baby is his apotheosis thus far. All Music
Deftones Private Music
private music doesn’t exactly launch Deftones into any unexplored territories, nor does it reimagine the beloved band in any new light. But, as it turns out, Deftones don’t need to do either to squeeze their sound into 2025 Consequence Of Sound
Heartworms Glutton For Punishment
It's an album that invites listeners to confront discomfort, embrace imperfection, and find beauty in some of our darkest and scariest places The Line Of Best Fit
Suede Antidepressants
Britpop stalwarts get abrasive on 10th album Hot Press
Overall, Antidepressants is a nice throwback to ‘80s post-punk music Spill Magazine
With Antidepressants, Suede embrace their station as unlikely alt-rock elder statesmen, crafting an album that embodies a life well lived All Music
A solid, pleasantly dense record from a band who’ve been solid for decades yet DIY
Dove Ellis Blizzard
The ambitious young Irish balladeer crafts a debut album that’s heavy on the drama, letting moments of anthemic beauty peak through his cryptic delivery Pitchfork
Quietstorm of a debut from assured Irish singer-songwriter. Galway-born, Manchester-based musician Dove Ellis arrives fully formed on this self-produced debut, wielding his love of legato phrasing with a dramatic poise that has attracted justifiable comparisons to Jeff Buckley and Rufus Wainwright. Print edition only Uncut
Blood and birds thread menacingly through these often-cruel songs but again and again, Ellis’s choruses suddenly soar heavenward, epiphanies torn from an unblinking heart. Print edition only Mojo
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways