21 August 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Third album of indie rock with touches of retro folk and psychedelia from the Montreal trio
5.8
Finds them sounding more mature and comfortable than ever before, signaling perhaps not an end at all, but rather a new beginning Read Review
Feels like something built with the intentions of making a grand statement, but it comes up a few great songs short Read Review
The album recaptures the nearly childlike zeal of the band’s debut, and the sense of the band discovering new sounds as they record these songs transfers to the listener on most every track Read Review
Whereas the band excels at both the gentle and the electric, it was the more eccentric accents that provided the necessary counterpoint. And while The End of That features more wonderful song craft, that counterpoint is sorely missed Read Review
It’s wise and at times gorgeous but ultimately still processing the past and not ready to take risks Read Review
Things get noisy on the giant rock, chord-smashing 2010, but it feels slowed by a sludge of mid-tempo maturity Read Review
The unyielding geniality of the music and slackjawed lyrics show a band either unwilling or unable to commit to its own emotional ballast Read Review
Never decide between Arcade Fire and classic rock again. But choose either over this pastiche Read Review
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Brandon Flowers Thrasher
Even a couple of bafflingly misguided social commentary songs can’t detract from the joys of Flowers’ classically full-throated commitment to the Nashville bit The Guardian
While his words and voice remain smart and wry, whether you enjoy it or not will depend entirely on your liking for, or tolerance of, that genre. Print edition only Record Collector
He's always been a crooner in the tradition of Waylon Jennings, and he's always had Kris Krisfofferson's nose for a tale. Print edition only Mojo
Flowers' take on country hews to the proto-Americana of Springsteen and Jimmy Webb/Glen Campbell as he unleashes his chromium pipes and unfettered emotionality on image-rich tales like "Plans", "Tiger's Blood" and the climactic "An American Dream". Print edition only Uncut
Lambchop Punching The Clown
Kurt Wagner continues his exploration of the human voice while navigating a fascinating journey through musical hinterlands musicOMH
Sees Lambchop back in focus, Wagner taking on the big questions and the small details, always aware of those truths that lie just out of reach. Print edition only Mojo
Stella is a modern gospel spiritual, White People is seething and stirring, and The New World Wave is a brilliant return to the narrative style of Lambchop's earliest records. Print edition only Record Collector
Lambchop's 17th album is a thing of spine-tingling hymnal beauty. Print edition only Uncut
Phoebe Bridgers Lost Weekend
It's the duality of darkness and light that makes Lost Weekend so good Hot Press
Hovvdy Big World
It's a mercurial group of songs indicative of the songwriters' strategy, but the album still finds through lines in its heartfelt songwriting and warm, dreamy textures All Music
Small songs and a step backwards Far Out
Big World may not be the pinnacle of what Hovvdy has to offer, but it delivers something unique the duo had to show for ten years into their career Northern Transmissions
Pop songwriters Charlie Martin and Will Taylor reset the scope of their best-known project, Hovvdy, on an album whose thematic consistency ties together sometimes imaginative, always melodious musical exploration Spectrum Culture
Created after a pivotal move from Austin to Nashville, the duo’s finesse for laid-back vocal melodies that burrow into your brain is clearer and more colorful than ever Paste Magazine
Jungle Sunshine
The London trio’s fifth album is pleasant enough to leave on, but rarely compelling enough to listen to Paste Magazine
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways