18 July 2025
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Eighth album from Portland, Oregon's psychedelic pop quartet, led by Courtney Taylor-Taylor
4.9
Dominated by melodic swirling Dandy rock songs, conveniently (and quite mercifully) trimmed of unnecessary indulgence Read Review
This Machine is nothing revolutionary in the progression of The Dandy Warhols. However, it is a unique hybrid of cheek and aloofness Read Review
'This Machine' is both an attempt to recapture the glory days and a sad admission that it can't be done Read Review
This Machine is not the result of the Dandys turning a corner or shifting direction, but rather taking the best of where they’ve been and applying it to where they’re going Read Review
These Dandies prove that a machine doesn’t have to be built out of entirely new parts to be well-oiled and run well Read Review
This Machine is pleasant, demonstrating solid musicianship and offering a diverse range of songs. However it is inevitable that the Dandy Warhols’ efforts will always be compared to that of their early years Read Review
This Machine is by no means a great record, but it is an enjoyable one that’ll put a smile on your face and brighten up your day if you let it. Which is what pop music is for, after all, and kudos to The Dandy Warhols for still being the hippest pop whores in the business Read Review
This Machine seems like an apt title for a record that surges forth with a wiry, motorik momentum; by the end, it becomes an all-too-fitting descriptor of a band going through the motions Read Review
Alt-rock vets get goodly greasy weird on "16 Tons" cover, otherwise stay stuck in '90s neutral Read Review
Easily the shortest and most abstemious thing the Dandy Warhols have ever put out Read Review
It is a shame that such counter culture savvy should fizzle out like this Read Review
Once regarded as calculating careerists; now anything but. Print edition only
Perhaps, they do have a message that is profound, but it has been catastrophically shrouded in vanity that pervades most of the tracks, if not all Read Review
An album that finds the Warhols increasingly lost in their own echo chamber of invented cool Read Review
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The Dandy Warhols: This Machine
Billie Martin Dog Eared
Still only 26, Marten's writing is a strong scaffold for an experienced live studio band, whose every flourish (the irresistible keyboard arpeggio on the breezy "Crown" is a particular delight) add depth to her words. Print edition only Uncut
Overall, it's a gently entrancing and quietly elegant album. Print edition only Mojo
Billie Marten’s fifth studio album delves into nostalgia, love and introspection in a cosy folk triumph The Skinny
It takes time for the 10 tracks to find their own spaces and the dazey melodies to take root The Independent
Justin Bieber Swag
The pop star’s latest offering is a perfectly decent record, albeit one that lacks lyrical flair, emotional depth or any sense of responsibility musicOMH
Alex G Headlights
Alex Giannascoli upgrades to hi-fi dad rock and sails home with a major label debut worthy of the all-time indie graduations Pitchfork
Represents a flirtation with commercialized approaches, with suburbanism, with, dare we say, the banal. Given Alex’s impressive record, it’s not a stretch to imagine that going forward, he’ll find a way to better reconcile the predictable and unexpected, the cliché and seminal, the well-worn and just-discovered The Line Of Best Fit
Haim I quit
I quit is a varied-but-very-enjoyable return from the Los Angeles trio Consequence Of Sound
The album doesn’t shy away from the glare, but rather steps into it Slant Magazine
Philly’s indie hero adds to his discography of unassumingly brilliant folk-rock on his major-label debut Rolling Stone
On Headlights, his first album on a major label, Alex G drills deeper into a refinement of his sound The Skinny
Lorde Virgin
Before he died David Bowie called Lorde the future of music and he was not wrong. See you again before the end of the decade, hopefully? God Is In The TV
Alex G is one of the most distinctive characters working in indie rock today, and despite some of its shortcomings, the songs on Headlights still prove that Exclaim
Headlights is as much of an opus as it is, only because it is so clearly, honestly both of these things—because Alex G proves on a major label the seriousness with which he takes his career as a musician, all the while strumming along a love letter to the singular sound he’s so conscientously developed Northern Transmissions
While the sonic invention and off-kilter details remain, on his 10th album the cult musician eschews distortion for melancholic melodies and crooked love songs The Guardian
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Spiritbox Tsunami Sea
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Self Esteem Prioritise Pleasure
Bob Dylan Rough and Rowdy Ways
Nick Cave And The Bad Seeds Skeleton Tree
Frank Ocean Channel Orange