21 June 2018
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Fifth album of alt.rock from the Bristol-based multi-instrumentalist and producer Nick Talbot
7.0
His songs initially appear to be gentle, rueful folk ballads on cursory listen but a decent pair of headphones reveals deep pools of shimmering reverb and a submarine world of echo Read Review
Gravenhurst's most solid and unsettling work to date Read Review
An exquisite, unexpected gem. Print edition only
Talbot’s created a uniquely potent blend of icy chill and soothing balm, and with it that rarest of things: totally cliché-dodging songwriting Read Review
It adds up to a beautifully haunting set, and the sense that Talbot is surely among music's best-kept secrets Read Review
Superficially unassuming, taken as a whole it’s really a bold, consistent collection Read Review
His best work since ‘Black Holes In The Sand’ Read Review
This is folk music going into unknown territory, braving dangers, making new footprints, and, in the process, changing into something else entirely Read Review
A melancholy beauty predominates. Print edition only
The mellotrons, optigans, and synthesizers employed here hang like a silvery mist atop the cyclical fingerpicking that makes up the majority of the album, which either soothes or lulls, depending on your predilection for such softness Read Review
A memory-haunted journey through the dead voices and deep narratives of Englands lost. Print edition only
Much of this record plays like a tribute to ’90s miserabilists Red House Painters, all phantom-like reverb over misleadingly comforting folk tropes Read Review
A reminder of just how great Gravenhurst can be when they’re on top of their game, which they are here more often than not Read Review
Ignorable background music and the lowest point of the Gravenhurst discography thus far Read Review
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Gravenhurst: The Ghost In Daylight
Kamasi Washington Heaven & Earth
The US saxophonist has found his time and it is now: this excellent album connects politics with the jazz of the past to create an angrily inclusive new vision The Guardian
The Carters Everything Is Love
They sound both aware of and immersed in the culture surrounding them while fully settled into their own reality as billionaires. In essence, they are Black, rich and famous, in that order NOW
With its forward-thinking, deep-searching nature counterbalanced by a natural warmth and populist, groove-heavy approach, it’s another hugely accomplished work by a man whose prolific run of form shows no signs of abating Record Collector
This is the rare jazz record that feels equipped to venture outside the genre's familiar borders and engage with the wider world. Print edition only Uncut
Washington's gift for euphonic arrangements and eagerness to explore new forms is evident throughout. Print edition only Q
A series of near-overwhelming musical epiphanies. Print edition only Mojo
Sophie Oil Of Every Pearl's Un-Insides
No man, nor woman, could replicate this album. The intricacy of the sounds of tracks like Infatuation and Not Okay are sure signs of a master Gig Soup
Nas NASIR
Overall Nasir is disappointingly heedless Exclaim
The Magic Gang The Magic Gang
All the elements that have made for their most enjoyable material are still here, and the band shows they are just as capable as they have always been at captivating listeners Exclaim
Uniform & The Body Mental Wounds Not Healing
Judging in broad strokes doesn’t give much room for considering why their recent work has been so well received Earbuddy
Chromeo Head Over Heels
The album is banging for the most part and arrives on perfect time for your summer playlists Earbuddy
This isn’t an album of ‘Crazy In Love’ or ‘Drunk In Love’ successors. It’s an album of love, and all the forms it can take in and outside of you. The 405
Head Over Heels is maddeningly catchy and no party this summer is complete without it Spectrum Culture
There’s no way to get around this: the worst part about Nas’s new album is Nas Pretty Much Amazing
Jazz saxophonist capitalizes on newfound fame to deliver a masterful double album Consequence Of Sound
Since we've been around, that is. So, the highest-rated albums from the past eight years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Skeleton Tree
Frank Ocean Channel Orange
Anaïs Mitchell Hadestown
Kanye West My Beautiful Dark Twisted Fantasy
Leonard Cohen You Want It Darker
Sufjan Stevens Carrie & Lowell
Mount Eerie A Crow Looked at Me