4 July 2025
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Fifth album of alt.rock from the Bristol-based multi-instrumentalist and producer Nick Talbot
7.0
His songs initially appear to be gentle, rueful folk ballads on cursory listen but a decent pair of headphones reveals deep pools of shimmering reverb and a submarine world of echo Read Review
Gravenhurst's most solid and unsettling work to date Read Review
An exquisite, unexpected gem. Print edition only
Talbot’s created a uniquely potent blend of icy chill and soothing balm, and with it that rarest of things: totally cliché-dodging songwriting Read Review
It adds up to a beautifully haunting set, and the sense that Talbot is surely among music's best-kept secrets Read Review
Superficially unassuming, taken as a whole it’s really a bold, consistent collection Read Review
His best work since ‘Black Holes In The Sand’ Read Review
This is folk music going into unknown territory, braving dangers, making new footprints, and, in the process, changing into something else entirely Read Review
A melancholy beauty predominates. Print edition only
The mellotrons, optigans, and synthesizers employed here hang like a silvery mist atop the cyclical fingerpicking that makes up the majority of the album, which either soothes or lulls, depending on your predilection for such softness Read Review
A memory-haunted journey through the dead voices and deep narratives of Englands lost. Print edition only
Much of this record plays like a tribute to ’90s miserabilists Red House Painters, all phantom-like reverb over misleadingly comforting folk tropes Read Review
A reminder of just how great Gravenhurst can be when they’re on top of their game, which they are here more often than not Read Review
Ignorable background music and the lowest point of the Gravenhurst discography thus far Read Review
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Gravenhurst: The Ghost In Daylight
Lorde Virgin
Because for all the grand ideas here, it feels like Lorde has more to say about them, and as the aesthetic and songcraft of Virgin illustrates — almost despite all of this — she is more than skilled enough to do so Beats Per Minute
Frankie Cosmos Different Talking
Different Talking feels like Frankie Cosmos finally coming into its own. By self-producing, the band articulates a broader sound palette than on 2022’s Inner World Peace Northern Transmissions
A thrilling comeback that puts Lorde’s trajectory to the stars back on track DIY
Haim I quit
It’s easy to wonder if the soft-rock trio’s fourth record would be better if it were just a few songs — or, ideally, about 10-15 minutes — shorter Spectrum Culture
Hotline TNT Raspberry Moon
By opening up the recording process to accommodate more people and more ideas, Hotline TNT embrace a different side of themselves on Raspberry Moon, one that feels warmer and more open-hearted while still retaining the fuzz and noise that made their early albums so bracing Spectrum Culture
U.S. Girls Scratch It
While Scratch It lives up to its aged influences, Remy gives these nine tracks an undeniable immediacy, both with her singing and lyricism — which are eerily left of field — along with her spot-on taste in backing musicians and homage-motif Under The Radar
Loyle Carner hopefully!
The sounds are slightly different here than on previous albums and his tentative sojourn into singing is a success because his voice connects as easily as his rapping does Albumism
Lorde trades in her secrecy and mystique for a tremendously healing, desperately relatable record that cements her mark as her generation’s defining artist Northern Transmissions
On the uncomfortable paths of the 28-year-old’s fourth album, slam-dunk bangers are substituted with reinvention and restraint surrendered through hushed, reflective, and carnal synth-pop vestiges Paste Magazine
The New Zealand pop star chips away to reveal her purest self on her fourth album NME
For Lorde, it's an opportunity to reclaim something she thought she had lost long ago, but has always been within her: her true self Exclaim
Different Talking introduces some novel elements to the Frankie Cosmos sound, but despite that, their core identity remains intact Spectrum Culture
Musically Scratch It will probably be the least memorable in U.S Girls’ discography and aside from ‘Like James Said’ and ‘Bookends‘, the relatively thrill-less album does sort of fly by unnoticeably, made worse by the weak closing track No Fruit God Is In The TV
Lorde may not break entirely new ground on fourth album Virgin, but its warmth and texture make it consistently compelling and quietly brilliant The Skinny
yeule Evangelic Girl Is A Gun
A sun-drenched pop album — perhaps the pop record of the summer Under The Radar
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Spiritbox Tsunami Sea
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Self Esteem Prioritise Pleasure
Bob Dylan Rough and Rowdy Ways
Nick Cave And The Bad Seeds Skeleton Tree
Frank Ocean Channel Orange