1 July 2025
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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The second album of synth pop from the Brooklynite duo
5.7
Red Night is music for city dwellers, the disbelievers, those who aren’t quite sure of their place within the concrete wasteland Read Review
A string of solid tunes Read Review
While some of Red Night's songs might still be a little too insular for their own good, the album still finds the Hundred in the Hands coming into their own and expanding their identity at the same time Read Review
Increasing numbers of young synth bands are taking on the shoegaze sound of the early ‘90s as a reference point, and if the end product is as good as this, then I say keep it coming Read Review
Without the presence and sex appeal of contemporaries of Zola Jesus and Austra, this feels a little damp Read Review
They've paid less heed to the well-thumbed manuals and spruced things up Read Review
Derivative? Certainly. Mesmerising? Definitely. Print edition only
Claustrophobic dream-pop darkness doesn't compensate for the lack of actual pop this time around Read Review
The kind of folktronic coffeeshop fare that got called futuristic so often before the turn of the century, but that just ended up being the sound of then instead of now Read Review
If The Hundred in the Hands’ self-titled debut reflects an idealized vision of how fantastically fun it is to be in New York City at night, then Red Night is the subway ride back home at 4 a.m. Read Review
Singer Eleanor Everdell has always sounded inflated, now she just sounds showy Read Review
A passable if disappointing montage of mid-tempo electro-pop that flirts dangerously close to dull trip-hop Read Review
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The Hundred In The Hands: Red Night
Loyle Carner hopefully!
The sounds are slightly different here than on previous albums and his tentative sojourn into singing is a success because his voice connects as easily as his rapping does Albumism
Lorde Virgin
Lorde trades in her secrecy and mystique for a tremendously healing, desperately relatable record that cements her mark as her generation’s defining artist Northern Transmissions
On the uncomfortable paths of the 28-year-old’s fourth album, slam-dunk bangers are substituted with reinvention and restraint surrendered through hushed, reflective, and carnal synth-pop vestiges Paste Magazine
The New Zealand pop star chips away to reveal her purest self on her fourth album NME
For Lorde, it's an opportunity to reclaim something she thought she had lost long ago, but has always been within her: her true self Exclaim
Frankie Cosmos Different Talking
Different Talking introduces some novel elements to the Frankie Cosmos sound, but despite that, their core identity remains intact Spectrum Culture
U.S. Girls Scratch It
Musically Scratch It will probably be the least memorable in U.S Girls’ discography and aside from ‘Like James Said’ and ‘Bookends‘, the relatively thrill-less album does sort of fly by unnoticeably, made worse by the weak closing track No Fruit God Is In The TV
Lorde may not break entirely new ground on fourth album Virgin, but its warmth and texture make it consistently compelling and quietly brilliant The Skinny
yeule Evangelic Girl Is A Gun
A sun-drenched pop album — perhaps the pop record of the summer Under The Radar
The album is a hesitant step in the right direction for the singer Slant Magazine
Virgin is Lorde at her best yet as an affective poet and, frustratingly, at her most tamed as a digital sound designer The Line Of Best Fit
The New York band’s sixth LP feels like a scaled-up team effort. The newly expansive sound suits Greta Kline’s hard-won self-knowledge Pitchfork
Lorde’s fourth album returns to the digital, physical sound of Melodrama. While rooted somewhat in her past, it’s a gritty, tender, and often transcendent ode to freedom and transformation Pitchfork
Her fourth album celebrates the messiness of being human – and is also her most compelling and revealing musicOMH
BC Camplight A Sober Conversation
It’s perhaps the finest release of his career from start to finish, and that’s beating some stiff competition Far Out
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Spiritbox Tsunami Sea
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Self Esteem Prioritise Pleasure
Bob Dylan Rough and Rowdy Ways
Nick Cave And The Bad Seeds Skeleton Tree
Frank Ocean Channel Orange