29 January 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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10th album in 20 years for the distinctive singer-songwriter
5.8
Ignore that 70-minute timestamp and try to appreciate what’s here; you might be surprised, the way a little sin can pull you back in. Read Review
Occasionally vague, sometimes incohesive and a little self-indulgent it may be, but ultimately Abnormally Attracted to Sin is an abnormally attractive piece of work, and another fine example of the shining talent that is Tori Amos. Read Review
....with Midwinter Graces, Amos has made a holiday album that deserves to sit alongside those classics that you'll actualy listen to this winter Read Review
Turns out to be a collection of tracks that simply doesn't work as a whole because it can't properly be listened to in one go. Pity, for somewhere in amongst it all Tori proves that she's still capable of producing a storming album. Read Review
The album carries a certain amount of excess fat — particularly in a second half made up of earnest piano ballads Read Review
When she puts her mind to it, she can still make the earth move. Read Review
Another abnormally long album which, after a good start, melts into forgettable territory Read Review
A set of prog-inspired balladry with less bounce than her last disc. Read Review
Shapeless, piano-led disquisitions on sin, sex and war lack any of the shape and sharpness her best songs had Read Review
...more recklessness might have been welcome on an album that is occasionally lovely, but turgid for all that Read Review
Tori Amos: Abnormally Attracted To Sin
Ari Lennox Vacancy
Neo-soul elegance and late-night vibes define the R&B star’s most inviting record to date NME
Lennox’s music often nods to the past, but her new album feels more in tune with the zeitgeist Slant Magazine
The singer’s first album for Interscope is honey-sweet, grown-up R&B that’s looking for a little something missing Pitchfork
Lennox balances jazz-soaked tradition with flashes of unruly humour and a surefire viral hit The Guardian
Jenny on Holiday Quicksand Heart
Feels more like a steady progression than a revolutionary rebrand No Ripcord
Megadeth Megadeth
Megadeth's self-titled swan song is weighted down by its own sense of importance No Ripcord
The Cribs Selling A Vibe
They're truly at their best when their tuneful choruses come paired with a raw, stripped-down treatment No Ripcord
Westside Cowboy So Much Country ‘Till We Get There
Island imprint Adventure Recordings appears to be giving Westside Cowboy a hefty push, and the early signs are that they have the chops to make the most of it No Ripcord
Cast Yeah Yeah Yeah
This is Cast sounding comfortable, confident, and settled. The songs are strong, the production is polished without being overworked, and the band sound like they know exactly who they are at this stage XS Noize
With as many albums in this century as in the last, ‘Yeah Yeah Yeah’ finds Cast building on the momentum of the previous two years with both confidence and quality. Refusing to trade solely on nostalgia, it’s a beefed-up version of their best selves. Long may their positivity last Clash
The Liverpudlians’ eighth album is the sound of a band determined to prove they’re more than a Britpop legacy act musicOMH
Power's voice is improving with age, especially confident and commanding on the closing, psych-baroque "Birds Heading South". Print edition only NME
The excellent PP Arnold featuring lead single Poison Vine is a good indicator of the move towards a very Stones-y type of uplifting soulful rock and blues; the swelling gospel rock of Don't Look Away is the most stirring thing they've done yet. Print edition only Record Collector
Instead of going out with a nuclear bang, Megadeth serves lean sides that won’t clog the final tour’s setlists Beats Per Minute
Louis Tomlinson How Did I Get Here?
The songs on the former One Direction member’s over-referential, sometimes uneven third album don’t shrink down for anyone, and he sells his disappointment and anxiety with nuance, refusing to bemoan his own celebrity Paste Magazine
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways