Albums to watch

Jiaolong

Daphni

Jiaolong

Latest house-oriented side project release from Dan Snaith (Caribou)

ADM rating[?]

7.2

Label
Jiaolong
UK Release date
08/10/2012
US Release date
16/10/2012
  1. 8.5 |   PlayGround

    It’s a manifesto that rebels against the impoverished discourse of the main trends in EDM and reclaims the infinite resources of a music that is too often poorly understood
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  2. 8.0 |   The Irish Times

    An album perfectly in tune with the club-friendly manifesto that Snaith brandishes with great zeal on this occasion
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  3. 8.0 |   NME

    The sound of a producer having the time of his life – and boy oh boy is that infectious
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  4. 8.0 |   The Quietus

    The marvelously tactile sensation of machines rubbing fractiously up against each other, ungainly sonic phenomena vying for attention, just-slightly careless hands resting on chunky faders, is present and correct. Our man is on to something here
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  5. 8.0 |   Mojo

    Snaith's upward trajectory shows little evidence of slowing. Print edition only

  6. 8.0 |   BBC

    Centred on an ethos of crisp percussion, playful melody and insistent beats, its minimalist construct is Snaith’s purest transition to the dancefloor yet
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  7. 8.0 |   The Fly

    This is euphoria from a new master of the dancefloor
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  8. 8.0 |   Independent on Sunday

    Dark, insalubrious, pounding, and heads down rather than hands in the air
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  9. 8.0 |   Spin

    The full album feels more roots than retro, old tools reclaimed to new ends
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  10. 7.5 |   Pitchfork

    Caribou is a band used to juggling multiple melodic ideas, a band that has to place a premium on organization and concision. Daphni's less focused moments sound like Snaith taking a toy off the shelf, Slinky-style, bending and prodding it at his leisure
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  11. 7.2 |   Beats Per Minute

    The impulsivity that he has carried with him for most of his career has come into full bloom on Jiaolong. Then again, that’s probably the whole point of Daphni in the first place
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  12. 7.0 |   Drowned In Sound

    The whole set-up evokes a real ‘master-at-work’ vibe. As a listener you’re dragged much closer to the heartbeat of the song than in swathes of other pored-over, glossy EDM
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  13. 7.0 |   Uncut

    Locked-groove bliss from former Caribou man. Print edition only

  14. 7.0 |   Prefix

    Jiaolong may be a perfectly competent incarnation of Snaith's undeniable talents, but it doesn't quite induce the stupor it should
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  15. 6.5 |   The Line Of Best Fit

    A useful, good-enough record, but as an album made for a more ‘indulgently solipsistic’ listening process, it’s awkward
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  16. 6.1 |   Bowlegs

    Daphni has its moments – but just like a good night out you probably won’t remember much come the next day
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  17. 6.0 |   Consequence Of Sound

    It would seem that Daphni offers Snaith the opportunity to expand another part of his brain, but in totally brushing aside the complexities of Caribou in order to make dance music, he loses sight of the more complex moments in the dance music he’s making
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  18. 6.0 |   The Skinny

    A more rewarding listen than its process of composition might imply
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  19. 6.0 |   Q

    Offers unfussy dance tracks designed to sound good at night. Print edition only

  20. 6.0 |   The Observer

    There's a rhythmic directness here, and a desire to have a good time, that's not exactly absent from Caribou but pulling harder at the leash now
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Daphni: Jiaolong

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