23 March 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Debut LP of synth-pop centred indie from the young Mancunian quartet led by Alexander Hewett, fresh from a stint as a touring musician for Charlotte Gainsbourg
6.8
A clever, fascinating and intricate triumph Read Review
If they do decide to go missing again, at least Egyptian Hip Hop leave behind a debut album for us all to get irretrievably lost in Read Review
Many bands trip over themselves while exploring new ground, but these young chaps - who, we must remember were wrongfully dubbed ‘Egyptian Drip Plop’ by a certain Viva Brother - have done so with graceful ease Read Review
Intrepid and long-awaited debut from the boy wizards. Print edition only
Their early, punky tunes carried flourishes of post-DFA dance music, whereas the songs here are now imbued with modern electronic music's more liquid, experimental spirit Read Review
An altogether uneven album that finds not an inconsiderable amount of its charm in that very unevenness Read Review
A bold and slightly odd return that underscores the quartet’s intricate layers Read Review
Like all good drug experiences, inventiveness soon gives way to repetition and Good Don’t Sleep falls into a pattern, several tracks indistinguishable from others Read Review
Never startling, never seizing your attention, it simply washes over you Read Review
Interesting textures trump actual songs, making this an album that's easier to admire than it is to love Read Review
The biggest letdown is frontman Alex Hewlett's sometimes shockingly weedy voice. Print edition only
Truth is Egyptian Hip Hop’s debut falls short of expectation – it just drifts without any real highs or lows. A missed opportunity Read Review
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Egyptian Hip Hop: Good Don't Sleep
Ladytron Paradises
In an age when production is deliberately designed not to disturb listeners, Paradises may prove popular The Arts Desk
The cover artwork to Ladytron’s latest record Paradises adopts mind trickery by showing two hands touching through a triangle shape that looks both like a reflective mirror and a translucent window. Befitting artwork to hint at the content inside the triad’s album, which often takes the listener to places that are up to one’s own imagination and interpretation God Is In The TV
Ladytron head for the disco and relive the fun of 90s clubland The Skinny
Maybe Paradises could have been trimmed down a little, but their contagious creative zeal is apparent throughout its entirety. Ladytron have secured their iconic status once again, ensuring they become a cult band for an entirely new generation, or maybe more Under The Radar
The track I See Red radiates synth euphoria but the Pet Shop Boys-ish Death In London and single Kingdom Undersea are more about introspection than rapture. Print edition only Mojo
Momentum sags somewhat over its lengthy duration - but it also unquestionably features some of their finest, and funkiest, work to date. Print edition only Uncut
BTS ARIRANG
The group's journey to global domination has been nothing short of extraordinary, so it’s fitting that they have delivered an album that is of similarly epic proportions Rolling Stone UK
The barrier-breaking K-Pop icons return with a blockbuster album Clash
Ending a hiatus that began in 2022, the septet recapture a distinctiveness that had been threatening to ebb away The Guardian
Seven members attack the music with a ferocity that feels earned and personal. The album feels more often like seven individuals with real chemistry than one polished unit. The solo years gave each member a sharper creative identity, and RM’s instincts hold the whole thing together Consequence Of Sound
On its blockbuster return, the world's biggest band stresses group identity and South Korean roots, while pushing the songs into adventurous new territory Rolling Stone
Brigitte Calls Me Baby Irreversible
Irreversible sounds like a dead end: a lethargic monument to hollow style over substance, entirely on brand for a band that saddled their debut with one of the more ridiculous, faux-philosophical titles of recent years. It is a meaningless shell of a record with few, if any, redeeming features No Ripcord
Ora Cogan Hard Hearted Woman
In a time that can appear bent on applauding cynicism Cogan chooses curiosity. Her songs look straight into the abyss and still reach out for colour The Line Of Best Fit
Shabaka Of The Earth
On his first true solo album, Shabaka unites beats, flutes and saxophone (and some rap) Spectrum Culture
The Orielles Only You Left
As with the rest of their discography, The Orielles once again prove that you don’t always have to follow along with the masses to make good music Beats Per Minute
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways