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8.0
51529
8.0 |
Independent on Sunday
Induces a heady sense of perpetual forward motion, whether graceful or full pelt. Stunning
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8.0
51530
8.0 |
Spin
There's a grandeur and purity of intent to the whole doofy concept that prove hard to resist
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8.0
51533
8.0 |
NME
This album really shouldn’t work. That it does is down to Kavinsky’s painstaking production and his dark vision of the place where rock and electro meet
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8.0
51535
8.0 |
The Skinny
A long-incubating debut, but Outrun proves to have been well worth the wait
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8.0
52813
8.0 |
PopMatters
Kavinksy has firmly defined himself as a musician capable of forming, and then effectively nailing, an overarching concept of artistic vision
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7.9
52415
7.9 |
Beats Per Minute
A fun retro-pop-dance album for those who like to drive fast through cities at night, perhaps behind a pair of sunglasses
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7.0
52152
7.0 |
Consequence Of Sound
The album through line is the well-worn tale of a young man who gets killed in an automobile accident in 1986, only to come back to life as a zombie music producer decades later
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7.0
51534
7.0 |
All Music
Bad dudes, street fighters, and metal gearheads will think of it as their dream soundtrack
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7.0
51532
7.0 |
No Ripcord
Perhaps the most rousingly, entertainingly, ridiculously dumb record that 2013 will have to offer
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6.3
51531
6.3 |
Pitchfork
A lot of the songs come off like synth-emulated rock, but the lack of vocals on any of them aside from First Blood gives them the feel of uncompleted demos by an age-old hair metal band
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6.0
51528
6.0 |
Drowned In Sound
A lot of the magic of Kavinsky was the box freshness of his reimagining of the past, but across these 13 tracks the allure of Beverly’s Hills Cop high-tops and alien blasting game soundtracks begins to sound tired and worn out
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