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8.0
55220
8.0 |
Mojo
A thoroughly charming patchwork quilt of neo-'60s rock. Print edition only
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8.0
55222
8.0 |
The Guardian
Producer Ian Broudie has helped fashion a big, brash, tuneful sound from 1960s beat pop, 70s glam stomp and 90s Britpop, with co-writes from Andy Partridge and Paul Weller
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8.0
55232
8.0 |
Evening Standard
A collection of songs that hums with retro-vitality
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8.0
55233
8.0 |
The Independent
It's quite easy to envisage entire arenas punching the air to songs like these
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8.0
55292
8.0 |
The Digital Fix
While rockier and more aggressive than Colour of the Trap, Don't Forget... is still an accessible and thoroughly enjoyable follow-up that will not leave fans disappointed
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8.0
55334
8.0 |
NME
The most impressive thing about ‘Don’t Forget Who You Are’, though, is that for all the guest spots from Jam members and Lennon, Gallagher and T.Rex nods, it only ever sounds like Miles Kane
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8.0
55458
8.0 |
Q
Musically, it's rooted in the '60s British beat boom. Print edition only
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8.0
55590
8.0 |
All Music
A giddy collection of retro-pop that doesn't feel stuck in the past
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6.0
58044
6.0 |
Entertainment.ie
Miles Kane achieves his aim: he delivers a lively British album immediate yet rooted in the music he cherishes and, by looking backward, moves forward
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6.0
55265
6.0 |
Independent on Sunday
Its chances are boosted by Ian Broudie's bright, bold production, but, apart from one obligatory Beatlesy ballad, it's full of route-one glam-rock stompers
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6.0
55223
6.0 |
musicOMH
At times, he runs out of ideas, but that shouldn’t detract from the fact that he is clearly going somewhere – even if that might be more often than not the past
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5.0
55224
5.0 |
Drowned In Sound
This album only serves to make him more indistinguishable from the pack; another Kasabian, another Beady Eye, another high street, another pair of trousers
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5.0
55221
5.0 |
Uncut
Too retro for his own good. Print edition only
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5.0
55751
5.0 |
Clash
All swagger and little charm
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4.0
55428
4.0 |
The Fly
In short, ‘Don’t Forget…’ is just possible to enjoy. But only in mod-eration, of course
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4.0
55268
4.0 |
The Observer
Too much of the material sounds formulaic, most noticeably a Strokes pastiche, Darkness in Our Hearts, and the Verve-by-numbers Out of Control
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