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The Mantles: Long Enough To Leave
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Sheer Mag
Playing Favorites
Playing Favorites proves that joy can show up defiantly, wearing a sleeveless denim vest, and sometimes, a rollicking good time is the glue holding our hearts together
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An album that’s everything you thought it was but has nothing to say
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Stretches Whack’s stylistic range, reintroducing an artist who seems more deeply in tune with her emotions
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Mannequin Pussy
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The record’s disparate strands mostly hold together, a formidable document of their fire and fury—and one that’s needed more than ever
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These songs never reach catharsis or resolution to their grand queries, but nonetheless find moments of joy in the process of seeking answers
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A LA SALA
It’s hard to be so stylized yet retain Khruangbin’s kind of staying power. You could kill the reverb and A LA SALA would still prevail
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Only God Was Above Us
All in all, Only God is a classic Vampire Weekend record, for those seeking exactly that
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Mount Kimbie are letting their songs smolder into life’s discontent. That uncomfortable tension is The Sunset Violent’s beauty
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Pearl Jam
Dark Matter
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A Certain Ratio
It All Comes Down To This
Nearly a half-century into their run, A Certain Ratio have plenty to teach but remain eager to learn—and, above all, to keep the party going
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Cowboy Carter
As both a treatise and a sonic testament, ‘COWBOY CARTER’ is its own triumph; unmoored in form, space and time, it’s the work of a preternatural talent painstakingly poring over every word, stratified vocal, sample and stylistic flourish
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