Albums to watch

The Both

The Both

The Both

A collaboration between alt-rock singer Aimee Mann and pop-punk songwriter Ted Leo

ADM rating[?]

7.2

Label
Superego
UK Release date
15/04/2014
US Release date
15/04/2014
  1. 8.3 |   A.V. Club

    Even as Mann pushes toward friendly pop-rock and Leo pulls toward spiky punkiness, the lack of struggle in that mild tension makes for a charm offensive that’s hard to resist
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  2. 8.0 |   PopMatters

    Charms like few collaborations of its ilk, a side project that transcends dabbling and brings out the best in Leo and Mann.
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  3. 8.0 |   All Music

    They work hard to make it a true collaboration, and due to that effort and the high quality of the songs they each brought, it works amazingly well
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  4. 8.0 |   Uncut

    The unlikely pairing works precisely because of the contrast between their approaches. Print edition only

  5. 7.5 |   Consequence Of Sound

    Despite Leo and Mann rubbing off on each other, they both retain their individual personalities
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  6. 7.5 |   Earbuddy

    Mann’s eloquent and expressive voice finds common ground with Leo’s, who slightly turns down his punk aggression and turns up the pop sugar
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  7. 7.0 |   Rolling Stone

    Mann gets welcome vocal and guitar snarl from Ted Leo, a post-punk heartthrob in his own right whose unfussy attack benefits from Mann's melodic and harmonic touch
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  8. 7.0 |   Spin

    Highlights include the waltzy beaut "No Sir," the fuzz-bass-driven "Volunteers of America," the instantaneous country "Pay for It" and the Green Day-tight "Bedtime Stories
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  9. 6.9 |   Paste Magazine

    The sound of a first date that wasn’t exactly a drag but won’t be leading to a second meet-up
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  10. 5.4 |   Pitchfork

    An enthusiastic debut that can’t quite live up to its own billing, but at least it shows two veterans who have bravely embraced the neophyte’s challenge of figuring out their sound
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