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8.0
65315
8.0 |
musicOMH
There’s still an overriding humour behind everything bis do, making data Panik an intensely enjoyable album
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8.0
65333
8.0 |
Drowned In Sound
It gets its kicks from perfecting bubblegum-stomp electro party post-pop, and does so rather thrillingly
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8.0
65317
8.0 |
All Music
Represents the band's most consistent and powerful material
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7.5
65590
7.5 |
The 405
They may have grown up a little since we last properly heard from them, but they remain just as much fun up to the last beat and beyond
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7.0
65822
7.0 |
NME
In defiance of a criminal lack of universal adulation, they just get better, harder, faster, stronger, and you boggle at just how formidable they might be in their dotage
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7.0
65314
7.0 |
Clash
This actually feels fully focussed, finally delivering on the promise of their latter-day new wave/electro-pop crossover
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6.0
65316
6.0 |
The Skinny
Careful remastering ensures these disparate components fit together seamlessly; individual tracks, meanwhile, deliver trademark energy and finely honed indie-pop melodie
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6.0
65851
6.0 |
Under The Radar
There's enough here to warrant renewed intrigue
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6.0
65330
6.0 |
Uncut
Analogue synths, angular guitar, plastic tunes and shouty slogans with a familiar blend of throwaway plasticity and political anger. Print edition only
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4.0
65329
4.0 |
Q
What might have been a solid politically-tinged Lp is let down by poodle-yelped vocals. Print edition only
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4.0
65313
4.0 |
The Line Of Best Fit
None of the edge, none of the drive, none of the sheer urgency that made them as great as they were in their prime
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