29 March 2024
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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The former singer with Irish 90s indie favourites The Cranberries with her second solo album
4.2
No Baggage doesn't quite match the brilliance of The Cranberries' early successes, but it is a solid album in its own right. A more confident, complete record than its predecessor, No Baggage sees Dolores O'Riordan building on old strengths, while broadening her artistic scope farther than it's been in thirteen years Read Review
...a little bit grittier, her vocals a little bit breathier and somewhat more studio-enhanced than her previous release Read Review
The quirks and vulnerability of Cranberries material is gone, leaving behind a musical portrait of someone older, wiser but less affecting. Read Review
O'Riordan's voice is awesome.But it's not her voice that's under scrutiny. It's her album. And that is, unfortunately, not awesome. The music is just too bland, toothless and soul-sappingly lifeless. Read Review
Her main theme is the past … but the songs are so insipid and the production so sterile that whatever significance this holds for O'Riordan is lost in translation. Read Review
The horrible autopilot pop rock jangling … exists merely as a backdrop for her caterwauling. Read Review
Dolores O'Riordan: No Baggage
Sum 41 Heaven :X: Hell
Despite its imposing 20-count tracklist, ‘Heaven :x: Hell’ never drags, instead firing through hit after hit; time flies when you’re having fun, and Sum 41’s discography is a testament to that. It’s a grand culmination of their work so far Dork
It's a high energy, fun and skillful way to say goodbye The Arts Desk
The Canadian icons leave nothing in the tank on their final LP, a career-spanning double album that carries the occasional hint of their glory days NME
There will be doubters and there will be haters, but Heaven :x: Hell is Sum 41 at their zenith and is, without any shadow of a doubt, the album of their career. What a way to leave Kerrang!
With Heaven :x: Hell, what Sum 41 has given us is a true grand finale, and it's one worth reveling in Sputnik Music (staff)
Chastity Belt Live Laugh Love
See review link XS Noize
Ride Interplay
Essentially, after spending decades dabbling in different notions of psychedelic rock, Ride have gone synth-pop in 2024 Spectrum Culture
They seem determined to do whatever the hell they like and have fun with it The Arts Desk
Overall: troubled, unflinching, but tuneful and triumphant. Print edition only Mojo
Here [on "Yesterday Is Only A Song"] and on the best tunes of Interplay, Ride feel wonderfully, unexpectedly, younger than yesterday. Print edition only Uncut
It's commendable that Ride continue to reach beyond their past, but the best moments of Interplay are the ones that remind the listener what made the band so unique to begin with All Music
Closing with the sighing reflection of ‘Yesterday Is Just A Song’, Ride seem to be embrace and move past their illustrious past, resulting in one of the most finessed, intriguing albums of their career to date Clash
When they delve into the big guitar histrionics of yesteryear, as on “Light in a Quiet Room,” the results are breathtaking Under The Radar
Sheryl Crow Evolution
It is somewhat predictably a soundtrack of life-affirming but slightly knocked-about beige wisdom wearing a pair of cowgal boots The Arts Desk
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Self Esteem Prioritise Pleasure
Bob Dylan Rough and Rowdy Ways
Nick Cave And The Bad Seeds Skeleton Tree
Frank Ocean Channel Orange
Dave We’re All Alone In This Together