26 May 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Debut collaboration between English hip hop artist MF Doom and NY rapper Bishop Nehru
6.7
It's great to have DOOM back on this release, and it's even better that's he's joined forces with a young emcee in Nehru that shows a hell of a lot of promise on this project Read Review
Nicely balances Doom’s uber-quirkiness with Nehru’s straight-up youthful exuberance to create a playful, odd-but-accessible set Read Review
DOOM has taken a backseat in an attempt to mentor this young talent and under his guidance Nehru has put in a spectacular performance Read Review
Not the album to catapult Bishop Nehru into the mainstream but it's an invaluable step in his hip-hop education Read Review
It’s promising that a kid as talented and hungry as Bishop already has the experience of working with someone with several classics under his belt Read Review
It’s as flimsy as hell and put together like a roughly cut jigsaw, so as to make you want more of a partnership that could run and run Read Review
DOOM would have been better off keeping these songs for himself. Interesting but inessentia Read Review
While NehruvianDOOM ticks a lot of the right boxes for the nostalgic rap fan, it would be foolish to approach this as a significant chapter in DOOM’s career Read Review
This generation-crossing collaboration feels like a record lodged in a sort of chronological rut, one where a young artist fronts an old-sounding record that sounds like it could've been released at any point in his lifetime—and helmed by any number of MCs that could've sounded like him Read Review
His words over traditional DOOM production is just a horrid tease Read Review
For all of its problems in execution, there are plenty of individual sounds here worth hearing Read Review
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NehruvianDOOM: NehruvianDOOM
Ed O’Brien Blue Morpho
‘Blue Morpho’ offers a reminder that, as he and his other bandmates have repeatedly proved, O’Brien boasts a wholly-uninhibited approach to how rock and pop music is arranged, resulting in works that move and grow like the building blocks of life itself Clash
Kevin Morby Little Wide Open
Represents a musical homecoming for Morby to the Americana that is central to much of his work No Ripcord
Lykke Li The Afterparty
On a purportedly final album, the Swedish electro-pop singer’s disenchantment takes shape around sparkling synth and light-touch disco beats Pitchfork
Paul McCartney The Boys of Dungeon Lane
A richly nostalgic trip that proves this legend is still as creative as ever Rolling Stone
Tori Amos In Times Of Dragons
Her vocals have rarely sounded better. A husky tone has slowly emerged, giving her a Patti Smith croon to her words of scorn. Anyone who has followed Amos’ career to date will relish this addition to her cannon. It might, hopefully, attract new fans too Under The Radar
Full of wonder, full of creativity, and possibility, fully realized and here for our delight. Like the album as a whole this is a truly excellent piece. It features lyrics full of thankfulness as we “feel the grace in all of life, thank you for this time.” What a great note to end a special album on Under The Radar
The Coral 388
By the time the rocksteady sway of “Spirit Catcher” and the effortless pop beauty of “Crossing The Sands” close the album, The Coral seem firmly back in the swing of creating music again. Hiatus done and dusted XS Noize
Every choppy guitar line and snaking Hammond or Farfisa lick form hooks in their own right The Arts Desk
By reconnecting with their past, The Coral have found the essence of who they are now - and it's pretty magical Mojo
It's an utter delight, an album that touches on all those influences [rocksteady, doo wop, soul, ska and 2-Tone] but still sounds like nothing but The Coral. Print edition only Record Collector
It’s a lucky number thirteen for fans – The Coral remain a band to cherish Clash
Despite an unorthodox release pattern that harks back to an era before streaming, the Wirral outfit's 13th album is one of their most accessibl musicOMH
Broken Social Scene Remember The Humans
While Remember the Humans aims to recapture something of vintage Broken Social Scene, the key aspects of their old sound simply can’t be reproduced by this version of the band Spectrum Culture
The singer/songwriter makes a valiant pivot into rock, though he lacks the backbone, grit and conviction to make it work Spectrum Culture
The guitarist’s second solo outing – but first under his actual name – offers mindfulness via a widescreen prog-folk trip NME
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways