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			9.1
			73295
			
				9.1 |  
				Consequence Of Sound
			
			
				No matter the upper-register nuances, Deacon’s percussive lines are solid enough for even the most easily distracted listeners to grasp
				
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			8.0
			73296
			
				8.0 |  
				Slant Magazine
			
			
				Deacon continues to eschew traditional pop songcraft for a singular tidal approach based on the ebb-and-flow amalgamation of dissonant elements
				
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			8.0
			73297
			
				8.0 |  
				NOW
			
			
				Energy flows smoothly from frantic sugar-rush highs to subtly beautiful, ambient polyrhythm experiments
				
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			8.0
			73299
			
				8.0 |  
				The List
			
			
				If you don’t find something of Dan Deacon’s in here to love, then truly it was never meant to be
				
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			8.0
			73301
			
				8.0 |  
				The Music
			
			
				Constantly moving between the lush, the experimental and the poppy, and always drenched in a layer of gorgeous electronic fuzz
				
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			8.0
			73330
			
				8.0 |  
				The Guardian
			
			
				Coerces elements of pop and madcap electronica into a convincing mix
				
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			8.0
			73335
			
				8.0 |  
				Evening Standard
			
			
				His songs are complex, endlessly layered and hyperactive, delighting in wrong-footing the listener
				
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			8.0
			73405
			
				8.0 |  
				musicOMH
			
			
				It certainly takes a tremendous amount of skill to weave together all these myriad flights of musical fancy into a coherent work. It’s a challenge that Dan Deacon is easily up to
				
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			8.0
			73414
			
				8.0 |  
				DIY
			
			
				Each track bubbles away like sodium in a swimming pool and burns as bright as magnesium on a Bunsen burner
				
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			8.0
			73420
			
				8.0 |  
				Earbuddy
			
			
				Technology and feelings, real and virtual, fuse together in Deacon’s cacophonous musical blendings; the robots are learning to love
				
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			8.0
			73435
			
				8.0 |  
				Under The Radar
			
			
				The fact that Dan Deacon is still creating records with such intensity is impressive in itself. But to be able to deliver such a sonically beguiling affair as takes something else
				
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			8.0
			73476
			
				8.0 |  
				All Music
			
			
				May not be the next step many expected after America, but it leaves no doubt he remains a force to be reckoned with in indie electronic, creating smart and satisfying work with a stubbornly individual perspective
				
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			8.0
			73503
			
				8.0 |  
				Exclaim
			
			
				Sees Deacon pay greater attention his lyrical content, while still using his voice as a textural instrument through pitch-shifting and heavy use of a vocoder
				
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			8.0
			73527
			
				8.0 |  
				The Quietus
			
			
				He's a man focused on upholding the importance of innovation while simultaneously creating a community
				
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			7.5
			73577
			
				7.5 |  
				The Line Of Best Fit
			
			
				Where vocal parts have often been little more than bricks in the wall of Deacon’s constructions, here they become focal points
				
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			7.5
			73456
			
				7.5 |  
				A.V. Club
			
			
				Offers some of the purest pop pleasures Deacon has done, yet they’re fused to an album that comes across as deeply anxious and unsettled
				
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			7.5
			73417
			
				7.5 |  
				Pretty Much Amazing
			
			
				Even after multiple listens, the record promises new details to discover and surprising mysteries to taunt the listener
				
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			7.2
			73410
			
				7.2 |  
				Pitchfork
			
			
				More than a return-to-form album, Gliss Riffer simply feels like an exploration of a more pared-back, intuitive way of working
				
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			7.0
			73418
			
				7.0 |  
				The 405
			
			
				Gliss Riffer is the most characteristically 'Dan Deacon' record that Dan Deacon has yet released
				
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			7.0
			73430
			
				7.0 |  
				PopMatters
			
			
				By far his most successful (and, incidentally, most accessible) full-length, but it’s just shy of being a masterpiece
				
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			7.0
			73300
			
				7.0 |  
				Drowned In Sound
			
			
				This is an often bold and sometimes brilliant offering, even if its heart is more mechanical than you may hope for
				
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			7.0
			73298
			
				7.0 |  
				NME
			
			
				Even though ‘Gliss Riffer’ comes with no added extras it still creaks under the weight of its experiments
				
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			7.0
			73568
			
				7.0 |  
				Crack
			
			
				Gliss Riffer is a very good album; a natural progression in the Deacon canon, best enjoyed during lucid dreaming or while snorkelling
				
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			7.0
			73888
			
				7.0 |  
				Beardfood
			
			
				Dan's not as experimental as he once was; he may have found his voice
				
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			6.0
			73723
			
				6.0 |  
				Tiny Mix Tapes
			
			
				The album’s most memorable and affecting songs are its catchiest and least concerned with crescendos
				
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			6.0
			73489
			
				6.0 |  
				Rolling Stone
			
			
				His latest features his own zonked singing on tracks like the loopy, Tom Petty-referencing elegy "Feel the Lightning" and the head-spinning backwoods goof "When I Was Done Dying"
				
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			6.0
			73497
			
				6.0 |  
				Loud And Quiet
			
			
				It’s by no means Deacon’s most accessible work, then, but long-time fans will likely be thrilled
				
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			6.0
			73331
			
				6.0 |  
				The Irish Times
			
			
				An album of buzzy pop which squelches, squawks and squeals in great infectious waves
				
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			6.0
			73336
			
				6.0 |  
				The FT
			
			
				Songs are aggressively streamlined with fast computerised beats and the rest of the instrumentation is a blur
				
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