9 November 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Debut album from the Kent punk duo with Laurie Vincent on guitar and Issac Holman on drums
6.6
It exposes a deep dissatisfaction with modern society, but delivers it in a way that is both playfully cheeky and darkly menacing Read Review
The roar of a generation that knows that no-one is coming to save them Read Review
This is a stonking listen Read Review
Singing drummer Isaac Holman and guitarist Laurie Vincent are so larger-than-life they’re practically cartoon characters Read Review
Slaves are angry at the world, but they have a wry smile at it too. Print edition only
Punk duo offer mesmerising vocal interplay on clattering debut Read Review
Their debut just about lives up to the hype Read Review
This is music without airs or graces, just a good old fashioned reliance on chunky riffs and propulsive drumming Read Review
Anyone looking for punk rock that wears ‘70s influences on its sleeve could do a hell of a lot worse than Slaves Read Review
A solid debut and one most likely coming to a festival stage near you this summer. Buckle up and be satisfied Read Review
Punk energy and scabrous humour win out. Print edition only
The real charm of this record comes in its additional moments of character Read Review
From snot-nosed Sex Pistols-style punk to raw, blustery Black Keys blues, there’s little originality here – but there’s undeniable chemistry Read Review
It’s not so much that Slaves don’t capture the excitement of their live show on record, more that their live show isn’t designed for transfer to a major label album Read Review
This is an album that flatters to deceive Read Review
Peel back the façade, and you’ll find two white dudes parroting phrases and stealing time-tested tricks to sustain the rebel mirage, to cover for the fact that they have no clue what they’re even talking about Read Review
Slaves’ borrowing of punk tropes and real problems to peddle this slickly produced hatefully-contrived gunk is despicable Read Review
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Slaves: Are You Satisfied?
Django Django Doveland
Django Django would appear to have refreshed their approach and challenged themselves to try out previously unconsidered melodic avenues The Arts Desk
Print edition only Uncut
Gilla Band Pugnello
Somewhere amidst the anarchy of Pugnello, there are gems waiting to be found. Unearthing them is well worth your time Still Listening
Greg Freeman All Set The Bone
Existentialism has a sound (and it’s hard to ignore) with Greg Freeman’s introspective All Set The Bone Still Listening
U2 Carnaval de Luz
Carnaval De Luz finds U2 50 years after their formation with the same four members and the same desire to shake things up. The album provides a convincing answer to the question of why they keep doing what they do XS Noize
Fontaines D.C. Dopamine Chamber
Fontaines D.C. push deeper into synthetic territory on Dopamine Chamber, balancing stadium-sized melodies with restless experimentation and darker texture Record Collector
They sound ambitious and engaged in their 50th year, swinging for the fences and hitting more targets than not. There’s still some gas in the tank Record Collector
La Roux Old Flames
Print edition only Record Collector
Back with her first new music in six years, La Roux's new sound explores facets of R'n'B and Europop to varying degrees of success The Skinny
La Roux turns to 90s R&B on a fourth album shaped by the end of a 17-year relationship, finding room for new beginnings beneath its layered production Still Listening
Print edition only Rolling Stone UK
Devastating moments are dressed up with warm production and kinetic 00s R&B in the now quiff-less singer’s grownup fourth album The Guardian
Elly Jackson returns with heartfelt pop songs about breaking up, resentment, vulnerability and all that entails musicOMH
Ditching erratic experimentation for an ambient concept, the indie shapeshifters' sixth album is their most coherent in years musicOMH
Doveland sounds less like a reduction of Django Django’s musical vocabulary than a more relaxed demonstration of how much they possess PopMatters
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways