24 December 2025
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Fourth album of lo-fi indie pop from the London-based duo Jeremy Warmsley and Elizabeth Sankey
6.1
The best love songs are the ones that make you want to dance and cry all at once; and Bad Love has them in spades Read Review
The mood here is still adolescent but with growing emotional and musical sophistication. Print edition only
Listening to this album is rather like a lucid experience that you never want to wake up from – and it is Sankey and Warmsley’s most impressive record to date Read Review
A firm reminder of memories of woe and despair – from being let down to falling for Mr Wrong Read Review
Blend a certain kind of naivete with a sure-footedness that reflects the fact that this is Summer Camp’s third studio album Read Review
The pair wear their influences on their sleeves and the results are a collection of 11 tracks sure to please Read Review
Not so much bad as it's just meh Read Review
The sheer density of the record gets in the way of some very promising moments Read Review
Sonically, the album relishes its ’80s influences, pairing Warmsley’s plush croon and Sankey’s soaring coo with glittering synth, rubbery bass, and throaty guitars Read Review
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Summer Camp: Bad Love
The Lemonheads Love Chant
The band’s first album of original music in 20 years is an undeniably self-conscious comeback, manifesting the existential angst of middle age in sludgier-than-usual riffs, sudden switchups, and some of Evan Dando’s most self-reflective lyrics to date A.V. Club
Dove Ellis Blizzard
Enigmatic Galway songwriter sounds like a storm-tossed mix of Thom Yorke of Radiohead and Jeff Buckley The Irish Times
This is Lorelei Holo Boy
Amos has been an expert popsmith for years; the world is finally catching up, and not a moment too soon All Music
One half of Water From Your Eyes re-records songs from the back catalogue of his other band, resulting in acoustic fare touched with regret and darkness The Guardian
Nate Amos’s latest solo album consists entirely of songs written in the years prior to 2024’s Box for Buddy, Box for Star. The music presents us with yet another robust block of material that allows his idiosyncratic songwriting to truly shine Paste Magazine
This Is Lorelei’s Holo Boy has the air of an artist taking stock, as he maps the route taken while checking which parts still line up now Spectrum Culture
Songwriter Nate Amos polishes up 10 tracks from his Bandcamp days and confronts humorous self-effacement with new confidence Pitchfork
A wonderfully enjoyable cycle of straight-down-the-line songwriting Clash
Oneohtrix Point Never Tranquilizer
It’s his best work since Replica, and the most complete realization of his long-running obsession with the imperfect persistence of time. Tranquilizer doesn’t just show you a world—it shows you how that world remembers itself Under The Radar
Melody’s Echo Chamber Unclouded
This is the epitome of a “vibes album,” and as a vibes album, Unclouded knocks it out of the park Spectrum Culture
Dove Ellis’ debut is remarkably assured, showcasing a new talent with strong potential Spectrum Culture
The Galway-born singer-songwriter takes Romantic yearning — for the pure, the mythical, the divine — and turns it gently earthward on Blizzard Paste Magazine
Despite its title, ‘Tranquilizer’ is deceptively mesmerizing, potently putting calm emotions into a frenzied state, and leaving you coming back for more Northern Transmissions
Little Simz Lotus
She’s a rapper who refuses to let up and keeps ensuring that her name is held aloft in the conversations of the best in the world Far Out
Dove Ellis breathes new life into the Irish folk-rock scene. The album is hopeful, complex and as a whole plays with the picturesque diction of a pastoral poem. Wondering what will follow this stunning debut makes the listening all the more enjoyable Hot Press
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Bob Dylan Rough and Rowdy Ways
Nick Cave And The Bad Seeds Skeleton Tree