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8.0
80169
8.0 |
Uncut
Electrifying. Print edition only
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8.0
80170
8.0 |
The Arts Desk
Female dominance and female pleasure play a central role - and refuse to go gently into that good night
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8.0
80172
8.0 |
NOW
Some might prefer she stick with her usual skewering of gender roles, but that genuine anger lends a new seriousness and realness to even her silliest verses
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8.0
80254
8.0 |
The FT
The beat-making provides the perfect backing, at once sleazy and catchy
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8.0
80286
8.0 |
The Observer
Every production here feels leaner and more rubbery than the last, courtesy of the tight, two-person DIY production team of Peaches and Vice Cooler
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8.0
80300
8.0 |
PopMatters
A stylistic return to form, one that evokes the gritty essence of Peaches's delectably smutty debut
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8.0
80321
8.0 |
DIY
A return to form, and hideously brilliant, garish good fun
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8.0
80357
8.0 |
Q
Dirty, distorted synth riffs, shuddering beats, confrontational trash-talking. Print edition only
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8.0
80694
8.0 |
The Quietus
Peaches proves that you can be in your face, and push boundaries sexually and have a laugh riot into the bargain
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7.5
80511
7.5 |
The Line Of Best Fit
Five albums into her career, Peaches is as dirty as she ever was, and shows no sign of calming down
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7.0
80827
7.0 |
Gig Soup
A garishly out-there, pioneering album of provocation and self-discovery
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7.0
80376
7.0 |
Pitchfork
She may be the only female pop musician working today who sings about sex while firmly and intentionally diverting the objectifying male gaze. While it may not always be pretty or elegant, it's damn necessary, and Rub does an excellent job of it
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7.0
80436
7.0 |
Loud And Quiet
Merrill Nisker is still making subversive nymphopop of the highest order
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7.0
80173
7.0 |
The Music
Rub returns to a more purist electro sound to accompany the deep filthy XXX-minded nastiness that we have come to expect from Peaches
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6.0
80174
6.0 |
The Guardian
Peaches’ artistic vision remains as focused – and funny – as ever
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6.0
80171
6.0 |
Exclaim
Peaches' ballsiest record to date
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6.0
80168
6.0 |
Mojo
Her ideas are a good deal more interesting than her retro-electro rumble. Print edition only
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