23 March 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Fourth album of lo-fi indie from the former Vivian Girl Katy Goodman working with husband, guitarist and co-writer Todd Wisenbaker and producer Ryan Adams
6.9
Dreamy, with a faraway quality, often indecipherable, but so arresting your attention never wavers Read Review
These tunes, for their soft, subtle execution, are beautiful and poignant and rely on nothing but Goodman’s voice and Wisenbaker’s masterful guitar-work Read Review
Music for Listening to Music to isn’t just a background pleasantry; instead, it may very well be the one that could move Goodman into the foreground of her career Read Review
It is a more understated and pensive effort than Hour of the Dawn Read Review
A gorgeous collection of timeless songs Read Review
In every sense, this is a smart, confident step forward for La Sera Read Review
This may not be their defining album, but you get the sense that in moving away from their punkier roots, La Sera’s best work may be just around the corner Read Review
Comes across as more like a short stop on the way to something more solid and definitive Read Review
It hits the thresholds of likeability and then runs away from the conceptual bar in favor of speeding faster than light Read Review
Another noticeable change is the producer, alt-country star Ryan Adams. He convinced Goodman to record live off the floor for the first time, which gives the record a warm tone lacking on 2014’s Hour Of The Dawn Read Review
La Sera’s fourth album is a shrine to the Smiths – or rather the Smiths with less scathing contempt, more amplified whimsy and driven by an urgent, rattled-out rock’n’roll rather than a melancholy groove Read Review
Where La Sera goes, whether it’s back to the fuzz-pop of yore or deeper into the dusty annals of alt-country, Goodman’s voice is one to follow Read Review
Even after a half dozen spins, it's hard to recall a single hook Read Review
This is not the La Sera you remember. This is not the La Sera you loved Read Review
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La Sera: Music For Listening To Music To
Ladytron Paradises
In an age when production is deliberately designed not to disturb listeners, Paradises may prove popular The Arts Desk
The cover artwork to Ladytron’s latest record Paradises adopts mind trickery by showing two hands touching through a triangle shape that looks both like a reflective mirror and a translucent window. Befitting artwork to hint at the content inside the triad’s album, which often takes the listener to places that are up to one’s own imagination and interpretation God Is In The TV
Ladytron head for the disco and relive the fun of 90s clubland The Skinny
Maybe Paradises could have been trimmed down a little, but their contagious creative zeal is apparent throughout its entirety. Ladytron have secured their iconic status once again, ensuring they become a cult band for an entirely new generation, or maybe more Under The Radar
The track I See Red radiates synth euphoria but the Pet Shop Boys-ish Death In London and single Kingdom Undersea are more about introspection than rapture. Print edition only Mojo
Momentum sags somewhat over its lengthy duration - but it also unquestionably features some of their finest, and funkiest, work to date. Print edition only Uncut
BTS ARIRANG
The group's journey to global domination has been nothing short of extraordinary, so it’s fitting that they have delivered an album that is of similarly epic proportions Rolling Stone UK
The barrier-breaking K-Pop icons return with a blockbuster album Clash
Ending a hiatus that began in 2022, the septet recapture a distinctiveness that had been threatening to ebb away The Guardian
Seven members attack the music with a ferocity that feels earned and personal. The album feels more often like seven individuals with real chemistry than one polished unit. The solo years gave each member a sharper creative identity, and RM’s instincts hold the whole thing together Consequence Of Sound
On its blockbuster return, the world's biggest band stresses group identity and South Korean roots, while pushing the songs into adventurous new territory Rolling Stone
Brigitte Calls Me Baby Irreversible
Irreversible sounds like a dead end: a lethargic monument to hollow style over substance, entirely on brand for a band that saddled their debut with one of the more ridiculous, faux-philosophical titles of recent years. It is a meaningless shell of a record with few, if any, redeeming features No Ripcord
Ora Cogan Hard Hearted Woman
In a time that can appear bent on applauding cynicism Cogan chooses curiosity. Her songs look straight into the abyss and still reach out for colour The Line Of Best Fit
Shabaka Of The Earth
On his first true solo album, Shabaka unites beats, flutes and saxophone (and some rap) Spectrum Culture
The Orielles Only You Left
As with the rest of their discography, The Orielles once again prove that you don’t always have to follow along with the masses to make good music Beats Per Minute
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
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Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways