Albums to watch

The Ship

Brian Eno

The Ship

Latest release from the veteran ambient electronic composer and first solo album since 2005's Another Day on Earth to contain vocals

ADM rating[?]

7.1

Label
Warp
UK Release date
29/04/2016
US Release date
29/04/2016
  1. 9.1 |   A.V. Club

    The Ship is a thrilling album, emotionally draining in parts, but more than worth the struggle
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  2. 9.0 |   musicOMH

    The boldness, change of direction and sheer level of high musical attainment makes it hard not to compare it to another album released this year by a contemporary of Eno, namely Blackstar by David Bowie
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  3. 8.5 |   Beardfood

    Calling back to his 1975 album ‘Another Green World’ and teaming it with 2012’s ‘Lux’. A potent mix
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  4. 8.0 |   Drowned In Sound

    By far the most accessible and pop-sounding recordings he has recorded in years, here the ship Eno references might serve the dual function as symbolising his own soul finding tranquility in the music once again
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  5. 8.0 |   Spectrum Culture

    Eno continues to explore the unlimited possibilities
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  6. 8.0 |   Resident Advisor

    In its mix of words and ambient passages, The Ship might be better summarized as a return voyage to Another Green World
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  7. 8.0 |   Tiny Mix Tapes

    Breaks subtle ground by further fractalizing Brian Eno’s creative processes, taking two of his essential forms and blending them methodically into a new kind of strange pop
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  8. 8.0 |   Slant Magazine

    The album's chief strength is its fine balance of the concrete and the abstract
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  9. 8.0 |   Pitchfork

    One of his best solo albums in a while, walking the line between pure ambiance and vocal-driven pop
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  10. 8.0 |   The Line Of Best Fit

    He has managed once again to take listeners somewhere thrilling and new, while rising to the challenge of adding another dimension to a distinctive career filled with innovation and originality
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  11. 8.0 |   The Independent

    A strange amalgam of Eno’s familiar ambient approach with poetry
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  12. 8.0 |   Uncut

    Joining the dots between Eno’s art-rock roots and his latter day private obsession with gospel music. Print edition only

  13. 8.0 |   Q

    This is magnificent. Print edition only

  14. 8.0 |   The FT

    It is a fine meditation on themes of randomness, technology and human agency
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  15. 8.0 |   The Quietus

    The Ship is the work of someone who fully believes in the power of art as an empathic tool, as a means to invoke a particular viewpoint, an unconsidered perspectiv
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  16. 8.0 |   All Music

    His relentless sense of adventure remains undiminished by time
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  17. 7.0 |   Rolling Stone

    One of his most accessible albums in recent years
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  18. 6.7 |   Pretty Much Amazing

    Nothing wrong with staying in a mood, but this mood—whatever it is—sounds pretty played-out to me
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  19. 6.7 |   Consequence Of Sound

    Finds Eno’s music again foregoing the linear conventions of music and creating a kind of shapeless yet directed sound experience instead
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  20. 6.5 |   Earbuddy

    At times, it is one of the most exciting, liberating albums of the year, and at others, it is dreadful and pretentious
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  21. 6.0 |   Exclaim

    Challenging and unconventional
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  22. 6.0 |   Mojo

    The sprawling opening track commencing with familiarly tremulous, slow-motion synths inexorably rising and falling, oscillating between exquisite consonance and transient dissonance. Print edition only

  23. 6.0 |   The Guardian

    Eno’s latest aims to dispense with traditional song structures but is at its most captivating when tending back towards them
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  24. 6.0 |   Under The Radar

    The Ship sees Eno try his hand with the darker, cinematic side of minimal, and for the most part it works
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  25. 6.0 |   DIY

    Musically the album sees Eno creating a sound that’s frequently panoramic and dislocating
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  26. 6.0 |   Evening Standard

    An ambient collection lacking warmth
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  27. 6.0 |   The Observer

    Eno remains one of the great shape shifters
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  28. 5.0 |   The Music

    Eno's high concepts and noble intentions lead him down into an unprofitable abyss of woozy drones and impenetrable free verse
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  29. 4.0 |   The Irish Times

    It’s all very ruminative, with little space for any colour beyond black and grey
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  30. 4.0 |   Sputnik Music (staff)

    Its first two tracks take up 39 minutes of the album’s total 47 but pass out of memory almost before they’re finished
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