29 January 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
Browse specific styles
Eighth studio album by the Scottish rock four-piece, recorded in Berlin
5.9
The four men from Glasgow give us what is expected of them: straightforward soft-rock sprinkled with emotive lyrics Read Review
If you sometimes need to reach for songs that make you smile, that deliver adrenaline or emotional balm, then you could do an awful lot worse than ‘Everything At Once’ Read Review
Difficult to get into, but once you’re there, delightful Read Review
It is a soothing balm of a listen, classic in its Travis sound, gentle in its rock, melodic in its pop and uplifting in its lyrics Read Review
The best music on this album will probably grow over time. Equally, I suspect that repeated listenings of the entire album will soon lead to attention wandering elsewhere as the mid-pace palls Read Review
The album is very mellow and chill rather than packing a punch with high energy songs, leaving the listener wanting more Read Review
Brawny pop/rock of the kind the band habitually alternate with moodier, moochier pieces Read Review
A concise, crafted collection from this endearingly modest and enduring band Read Review
Continue to exude easy-going charm. Print edition only
Although the title track holds a sliver of adventure with its fizzing electronic flourishes, the absence of evolution elsewhere reveals a band hanging too tightly on to the past. Print edition only
Large chunks sound dishearteningly workmanlike. Print edition only
We don’t say the brutal crushing of the miners was just Thatcher doing what Thatcher does best and award it four stars, do we? And neither shall we with this Read Review
Roll over video for more options
Travis: Everything At Once
Ari Lennox Vacancy
Neo-soul elegance and late-night vibes define the R&B star’s most inviting record to date NME
Lennox’s music often nods to the past, but her new album feels more in tune with the zeitgeist Slant Magazine
The singer’s first album for Interscope is honey-sweet, grown-up R&B that’s looking for a little something missing Pitchfork
Lennox balances jazz-soaked tradition with flashes of unruly humour and a surefire viral hit The Guardian
Jenny on Holiday Quicksand Heart
Feels more like a steady progression than a revolutionary rebrand No Ripcord
Megadeth Megadeth
Megadeth's self-titled swan song is weighted down by its own sense of importance No Ripcord
The Cribs Selling A Vibe
They're truly at their best when their tuneful choruses come paired with a raw, stripped-down treatment No Ripcord
Westside Cowboy So Much Country ‘Till We Get There
Island imprint Adventure Recordings appears to be giving Westside Cowboy a hefty push, and the early signs are that they have the chops to make the most of it No Ripcord
Cast Yeah Yeah Yeah
This is Cast sounding comfortable, confident, and settled. The songs are strong, the production is polished without being overworked, and the band sound like they know exactly who they are at this stage XS Noize
With as many albums in this century as in the last, ‘Yeah Yeah Yeah’ finds Cast building on the momentum of the previous two years with both confidence and quality. Refusing to trade solely on nostalgia, it’s a beefed-up version of their best selves. Long may their positivity last Clash
The Liverpudlians’ eighth album is the sound of a band determined to prove they’re more than a Britpop legacy act musicOMH
Power's voice is improving with age, especially confident and commanding on the closing, psych-baroque "Birds Heading South". Print edition only NME
The excellent PP Arnold featuring lead single Poison Vine is a good indicator of the move towards a very Stones-y type of uplifting soulful rock and blues; the swelling gospel rock of Don't Look Away is the most stirring thing they've done yet. Print edition only Record Collector
Instead of going out with a nuclear bang, Megadeth serves lean sides that won’t clog the final tour’s setlists Beats Per Minute
Louis Tomlinson How Did I Get Here?
The songs on the former One Direction member’s over-referential, sometimes uneven third album don’t shrink down for anyone, and he sells his disappointment and anxiety with nuance, refusing to bemoan his own celebrity Paste Magazine
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways