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Melt Yourself Down: Last Evenings On Earth
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Daniel Avery
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In the end, Tremor leaves a taste in your mouth that makes you want more, a record that brings together things that might not make sense but do
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Everybody Scream isn’t just a return to form — it’s her most vital work yet. A deeply human, spellbinding triumph
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Florence Welch and her band enlist Mitski, Aaron Dessner, Danny L. Harle, and IDLES’ Mark Bowen to make a guttural, flinty rock record. Though sometimes overwrought, the album often intoxicates with its folk-horror atmosphere and Welch’s magisterial-as-always vocals
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Florence + The Machine
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Florence Welch enlists horror and magic to harness hope
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While the sound isn't new territory for the band, Everybody Scream proves its value in the timeliness and visceral honesty of Welch's lyricism and delivery, meaningfully adding to the cultural conversation about gender roles and feminine rage
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Although a great sense of grief is charging the tones here, it is often empowering and soaring
The Arts Desk
Daniel Avery
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A vision of the future pressing in, unresolved and menacing. Tremors works in the same way: moments of calm overtaken by instability, the walls seeming to vibrate with what’s outside, (or maybe it’s just sub-bass)
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Soulwax
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Benefits from being recorded live at their DEEWEE studio in Gent. It gives all the beats a tense surging urgency and taps into the underlying hostility of our age of fake news, manufactured consent, and media manipulation
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Florence + The Machine
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Turns a painful experience into an artistic triumph
Rolling Stone
Florence + The Machine
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Florence + the Machine give in to the spellbinding power of performance on Everybody Scream
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Daniel Avery
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On his first album since 2022, the UK producer trades his habitual techno and ambient for a more melodic, rock-driven sound that puts guest singers like yeule and yunè pinku front and center
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