23 March 2026
Here's how it works: The Recent Releases chart brings together critical reaction to new albums from more than 50 sources worldwide. It's updated daily. Albums qualify with 5 reviews, and drop out after 6 weeks into the longer timespan charts.
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Second LP from the Brighton-based dream pop band founded by Jessica Weiss and Daniel Falvey
6.8
Fear of Men have created yet another top-tier record of melancholic escapism and they deserved to be praised for it Read Review
Bound together by a processed glide that it takes as its textural basis, the group’s long-standing lyrical obsession with water imagery seeping into all aspects of the audio fabric Read Review
Fear Of Men stand as one of Britain’s best acts because of their refusal to adhere to genre conventions Read Review
There’s still plenty of room for Fear of Men to grow, but they’re already masters of a unique craft Read Review
One feels that the band's lid has to blow at some point with so much emotional pressure bubbling beneath the surface, but for now, the group remain solid crafters of beautifully tense music Read Review
The lyrics are striking, and some of the songs are strong, but Fall Forever mostly succeeds lyrically rather than musically Read Review
The pace is frustratingly soporific at times, but ‘Fall Forever’ remains a truly immersive record Read Review
Fall Forever feels more like an exploratory step forward than a head-to-toe reinvention of the band; it will be even more interesting to see where they go from here Read Review
The album soars and glitters with electronic spark and dream-pop ease Read Review
The Brighton band abandons all hints of jangle-pop and dives into extraterrestrial synths, ominously bowed bass, and guitars distorted beyond recognition Read Review
Delivers a combination of Dream pop and Art Rock resulting in a sparse etherealness that manages to be both open and claustrophobic at the same time Read Review
This isn’t a mope record or a meditation on the blackness of life Read Review
Fall Forever’s bare-bones approach is perfectly pretty, but never vital; perhaps, sometimes, more is more Read Review
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Fear of Men: Fall Forever
Ladytron Paradises
In an age when production is deliberately designed not to disturb listeners, Paradises may prove popular The Arts Desk
The cover artwork to Ladytron’s latest record Paradises adopts mind trickery by showing two hands touching through a triangle shape that looks both like a reflective mirror and a translucent window. Befitting artwork to hint at the content inside the triad’s album, which often takes the listener to places that are up to one’s own imagination and interpretation God Is In The TV
Ladytron head for the disco and relive the fun of 90s clubland The Skinny
Maybe Paradises could have been trimmed down a little, but their contagious creative zeal is apparent throughout its entirety. Ladytron have secured their iconic status once again, ensuring they become a cult band for an entirely new generation, or maybe more Under The Radar
The track I See Red radiates synth euphoria but the Pet Shop Boys-ish Death In London and single Kingdom Undersea are more about introspection than rapture. Print edition only Mojo
Momentum sags somewhat over its lengthy duration - but it also unquestionably features some of their finest, and funkiest, work to date. Print edition only Uncut
BTS ARIRANG
The group's journey to global domination has been nothing short of extraordinary, so it’s fitting that they have delivered an album that is of similarly epic proportions Rolling Stone UK
The barrier-breaking K-Pop icons return with a blockbuster album Clash
Ending a hiatus that began in 2022, the septet recapture a distinctiveness that had been threatening to ebb away The Guardian
Seven members attack the music with a ferocity that feels earned and personal. The album feels more often like seven individuals with real chemistry than one polished unit. The solo years gave each member a sharper creative identity, and RM’s instincts hold the whole thing together Consequence Of Sound
On its blockbuster return, the world's biggest band stresses group identity and South Korean roots, while pushing the songs into adventurous new territory Rolling Stone
Brigitte Calls Me Baby Irreversible
Irreversible sounds like a dead end: a lethargic monument to hollow style over substance, entirely on brand for a band that saddled their debut with one of the more ridiculous, faux-philosophical titles of recent years. It is a meaningless shell of a record with few, if any, redeeming features No Ripcord
Ora Cogan Hard Hearted Woman
In a time that can appear bent on applauding cynicism Cogan chooses curiosity. Her songs look straight into the abyss and still reach out for colour The Line Of Best Fit
Shabaka Of The Earth
On his first true solo album, Shabaka unites beats, flutes and saxophone (and some rap) Spectrum Culture
The Orielles Only You Left
As with the rest of their discography, The Orielles once again prove that you don’t always have to follow along with the masses to make good music Beats Per Minute
Since we've been around, that is. So, the highest-rated albums from the past twelve years or so. Rankings are calculated to two decimal places.
Kendrick Lamar To Pimp A Butterfly
Fiona Apple Fetch The Bolt Cutters
Rosalía Lux
Kendrick Lamar Damn.
D'Angelo And The Vanguard Black Messiah
Nick Cave And The Bad Seeds Ghosteen
Spiritbox Tsunami Sea
Self Esteem Prioritise Pleasure
Hayley Williams Ego Death At A Bachelorette Party
Bob Dylan Rough and Rowdy Ways